"Petrushka, K12 (1947 Version): Ia. The Shrovetide Fair – The Crowds – The Conjuring-Trick" by Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä was released on March 8, 2024. Since Petrushka, K12 (1947 Version): Ia. The Shrovetide Fair – The Crowds – The Conjuring-Trick is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Stravinsky: Petrushka; Debussy: Jeux, Prélude". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. The popularity of Petrushka, K12 (1947 Version): Ia. The Shrovetide Fair – The Crowds – The Conjuring-Trick is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Petrushka, K12 (1947 Version): Ia. The Shrovetide Fair – The Crowds – The Conjuring-Trick by Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä having a テンポ of 173 with a half-time of 86 テンポ and a double-time of 346 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Josephs-Legende, Op. 63, TrV 231: Allegro moderato - Eine mächtige Säulenhalle im Stil des Palladio | Richard Strauss, Staatskapelle Halle, Fabrice Bollon | G Major | 4 | 9B | 76 BPM | ||
Petrushka, K12 (1947 Version): IVa. The Shrovetide Fair (Evening) | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Daphnis et Chloé, Suite No. 2, M. 57b: I. Lever du jour | Maurice Ravel, Sir Simon Rattle, London Symphony Orchestra | E Minor | 1 | 9A | 78 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
交響曲 第2番 ニ短調 Op. 73 II- Adagio non troppo | Johannes Brahms, Stanisław Skrowaczewski, Yomiuri Nippon Symphony Orchestra | B Major | 1 | 1B | 79 BPM | ||
Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Akt III: Vorspiel | Richard Wagner, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Spring Rounds | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 64 BPM | ||
Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | ||
Aria for String Quartet, Op. 9 | Mieczysław Weinberg, NOVO Quartet | G Minor | 0 | 6A | 103 BPM |