Benjamin Britten, Budapest Strings, Karoly Botvay's 'Simple Symphony, Op. 4: II. Playful Pizzicato' came out on January 1, 2002. The duration of Simple Symphony, Op. 4: II. Playful Pizzicato is about 3 minutes long, at 3:19. Based on our data, "Simple Symphony, Op. 4: II. Playful Pizzicato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Karoly Botvay's "Holst, G.: St. Paul's Suite / A Fugal Concerto / Britten, B.: Simple Symphony / Walton, W.: 2 Pieces for Strings" album is number 13 out of 15. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Simple Symphony, Op. 4: II. Playful Pizzicato's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Simple Symphony, Op. 4: II. Playful Pizzicato by Benjamin Britten, Budapest Strings, Karoly Botvay to be Allegro (fast, quick, and bright) because the track has a tempo of 144 テンポ, a half-time of 72テンポ, and a double-time of 288 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Death of Usurer: Adagio | Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 108 BPM | ||
La bonne chanson, Op. 61: No. 5, J'ai presque peur, en verité | Gabriel Fauré, Sir Peter Pears, Benjamin Britten | C Minor | 2 | 5A | 74 BPM | ||
Rejoice in the Lamb, Op. 30: For the instruments are by their rhimes | Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson | B♭ Minor | 0 | 3A | 133 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Handel in the Strand, RMTB 2a | Percy Grainger, Richard Hickox, BBC Philharmonic | G Major | 1 | 9B | 112 BPM | ||
Pictures At An Exhibition: Cum mortuis in lingua mortua | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 102 BPM | ||
Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors Berlin | F Major | 1 | 7B | 111 BPM | ||
Brandenburg Concerto No.1 in F, BWV 1046: 1. (Allegro) | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | F Major | 3 | 7B | 159 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM |