Gaetano Donizetti, Enzo Dara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine made "L'elisir d'amore / Act 1: "Udite, udite, o rustici"" available on January 1, 1990. Since L'elisir d'amore / Act 1: "Udite, udite, o rustici" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 33 in Donizetti: The Elixir of Love by Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine. Based on our statistics, L'elisir d'amore / Act 1: "Udite, udite, o rustici"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of L'elisir d'amore / Act 1: "Udite, udite, o rustici" by Gaetano Donizetti, Enzo Dara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine is Allegro (fast, quick, and bright), since this song has a tempo of 129 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola / Act 1: "Signor... Altezza, è in tavola" | Gioachino Rossini, Enzo Dara, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, William Matteuzzi, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
Il barbiere di Siviglia / Act 1: No. 8 Aria: "A un dottor della mia sorte" | Gioachino Rossini, Enzo Dara, London Symphony Orchestra, Claudio Abbado | E♭ Major | 3 | 5B | 139 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Me protegge, me difende " | Vincenzo Bellini, John Osborn, Reinaldo Macias, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | E♭ Major | 4 | 5B | 59 BPM | ||
Norma (1997 Digital Remaster), ACT 1, Scene 1: Me protegge, me difende un poter maggior di loro (Pollione) | Vincenzo Bellini, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 3 | 5B | 74 BPM | ||
Tosca / Act 1: "Tre sbirri... Una carozza... Presto" - Te Deum | Giacomo Puccini, Giuseppe Taddei, Piero de Palma, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | C Minor | 3 | 5A | 132 BPM | ||
Tosca / Act III: "O dolci mani" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 70 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
L'anima ho stanca... from Act II of Adriana Lecouvreur - Voice | Francesco Cilea, Plácido Domingo, James Levine, Philharmonia Orchestra | E Minor | 3 | 9A | 80 BPM | ||
Donizetti: Poliuto, Act 1 Scene 4: "Di quai soavi lagrime" (Paolina) | Gaetano Donizetti, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | F Major | 4 | 7B | 71 BPM | ||
La Sonnambula / Act 1: Vi ravviso, o luoghi ameni | Vincenzo Bellini, Gemma Bertagnolli, Juan Diego Flórez, Ildebrando D'Arcangelo, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | A♭ Major | 3 | 4B | 88 BPM |