"Tosca / Act III: "O dolci mani"" by Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1980. Tosca / Act III: "O dolci mani" is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. There are a total of 31 in the song's album "Puccini: Tosca". In this album, this song's track order is #13. Tosca / Act III: "O dolci mani" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tosca / Act III: "O dolci mani" by Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan having a テンポ of 70 with a half-time of 35 テンポ and a double-time of 140 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 2: "Chi guardi?" - "Ecco i giocattoli di Parpignol" | Giacomo Puccini, Luciano Pavarotti, Nicolai Ghiaurov, Mirella Freni, Gianni Maffeo, Gernot Pietsch, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | D Major | 3 | 10B | 172 BPM | ||
Madame Butterfly - Grosser Querschnitt: Eines Tages seh'n wir uns wieder | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | B Minor | 7 | 10A | 112 BPM | ||
Parsifal, WWV 111 / Act I: O wunden-wundervoller heiliger Speer | Richard Wagner, Marjon Lambriks, Anne Gjevang, Heiner Hopfner, Kurt Moll, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 78 BPM | ||
Khovanshchina / Act 4: Intermezzo | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | E♭ Minor | 1 | 2A | 51 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina | Carl Orff, Sir Simon Rattle, Sally Matthews, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
Norma / Act 1: Oh! qual traspare orribile | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 134 BPM | ||
Wagner: Tristan und Isolde, Act 1: "Tristan!... Isolde!" (Isolde, Tristan, Brangäne, Kurwenal, Chorus) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Chor Der Staatsoper Berlin, Falk Struckmann, Marjana Lipovsek, Siegfried Jerusalem, Waltraud Meier | D Major | 1 | 10B | 94 BPM | ||
Don Giovanni / Act 1: "Fin ch'han dal vino" | Wolfgang Amadeus Mozart, Tom Krause, Vienna Haydn Orchestra, István Kertész | F Major | 6 | 7B | 118 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Come una mosca prigioniera (Suzuki/Butterfly) | Giacomo Puccini, Renata Scotto, Anna Di Stasio, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | B♭ Minor | 1 | 3A | 140 BPM |