Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina

Carl Orff, Sir Simon Rattle, Sally Matthews, Berliner Philharmoniker
Orff: Carmina Burana
2:20 2005年1月5日
テンポ
99
キー
E Minor
キャメロットミュージックキー
9A

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共有

Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina - Carl Orff, Sir Simon Rattle, Sally Matthews, Berliner Philharmoniker 情報

音響性
91%
ダンサビリティ
19%
エネルギー
22%
手段性
45%
活気
70%
ラウドネス
74%
話し言葉
3%
価数
8%
人気
ラウドネス
-15.433 dB

まとめ

"Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina" by Carl Orff, Sir Simon Rattle, Sally Matthews, Berliner Philharmoniker was released on January 5, 2005. The duration of Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina テンポ

With Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina by Carl Orff, Sir Simon Rattle, Sally Matthews, Berliner Philharmoniker having a テンポ of 99 with a half-time of 50 テンポ and a double-time of 198 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina キー

E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

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ISRC
GBAYC0402200
レコードレーベル
L-M Records/RCA Records