"Madama Butterfly - Act II" by Renata Tebaldi, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin was released on June 14, 2011. With this song being about 5 minutes long, at 4:50, "Madama Butterfly - Act II" by Renata Tebaldi, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Madama Butterfly (Complete Opera in Two Acts)" album is number 17 out of 39. On top of that, United States appears to be the country where this track was created. Madama Butterfly - Act II is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Madama Butterfly - Act II by Renata Tebaldi, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini : La Cenerentola : Act 2 "Non più mesta accanto al fuoco" [Cenerentola, Clorinda, Tisbe, Dandini, Magnifico, Chorus] | Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 127 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 5: No. 26, Solveig's Cradle Song | Edvard Grieg, Sylvia McNair/Berliner Philharmoniker/Jeffrey Tate, Sylvia McNair, Jeffrey Tate, Berliner Philharmoniker | D Major | 0 | 10B | 67 BPM | ||
L´Amico Fritz: Son pochi fiori | Mirella Freni, Munchener Rundfunkorchester, Ino Savini | B♭ Major | 2 | 6B | 63 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Handel: Serse, HWV 40, Act 1: "Ombra mai fù" (Serse) | George Frideric Handel, Fritz Wunderlich, Bavarian State Orchestra, Hans Müller-Kray | G Major | 2 | 9B | 87 BPM | ||
Norma: Casta diva | Vincenzo Bellini, Carlo Felice Cillario, London Philharmonic Orchestra | D♭ Major | 2 | 3B | 85 BPM | ||
La Wally / Act 1: Ebben? Ne andrò lontana | Alfredo Catalani, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E Minor | 1 | 9A | 73 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM |