"La Wally / Act 1: Ebben? Ne andrò lontana" by Alfredo Catalani, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras was released on January 1, 2000. With this song being about 5 minutes long, at 5:05, "La Wally / Act 1: Ebben? Ne andrò lontana" by Alfredo Catalani, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Renée Fleming". In this album, this song's track order is #7. La Wally / Act 1: Ebben? Ne andrò lontana is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Wally / Act 1: Ebben? Ne andrò lontana by Alfredo Catalani, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus / Act 2: Nr.10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | D Major | 1 | 10B | 69 BPM | ||
Orff: Carmina Burana: In Trutina | Carl Orff, Kate Royal, Edward Gardner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 70 BPM | ||
Du bist die Ruh, D. 776 | Franz Schubert, Renée Fleming, Christoph Eschenbach | E♭ Major | 0 | 5B | 170 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Loreley / Act 2: "Amor, celeste ebbrezza" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | G Major | 1 | 9B | 81 BPM | ||
La Rondine / Act 1: "Chi il bel sogno di Doretta" | Giacomo Puccini, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | F Major | 2 | 7B | 166 BPM | ||
Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Mimì) | Giacomo Puccini, James Conlon, Barbara Hendricks, José Carreras, Orchestre National De France | D♭ Minor | 2 | 12A | 168 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Thaïs / Acte Deux: Méditation religieuse - Symphonie | Jules Massenet, Renaud Capuçon, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
The Armed Man - A Mass For Peace: XIII. Better Is Peace | Karl Jenkins, Mike Brewer, London Philharmonic Orchestra | G Major | 3 | 9B | 87 BPM |