"L´Amico Fritz: Son pochi fiori" by Mirella Freni, Munchener Rundfunkorchester, Ino Savini was released on April 11, 2012. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mirella Freni's "Mirella Freni - The first Recitals" album is number 5 out of 13. On top of that, Austria appears to be the country where this track was created. L´Amico Fritz: Son pochi fiori is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L´Amico Fritz: Son pochi fiori by Mirella Freni, Munchener Rundfunkorchester, Ino Savini to be Larghetto (rather broadly) because the track has a tempo of 63 テンポ, a half-time of 32テンポ, and a double-time of 126 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
'T was Not the Wind | Nikolai Rimsky-Korsakov, Anna Netrebko | F Major | 1 | 7B | 81 BPM | ||
La Belle Hélène: Au mont Ida trois deesses | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | B♭ Major | 1 | 6B | 177 BPM | ||
Don Giovanni, K.527, Act I Scene 14: Dalla sua pace | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | E♭ Major | 2 | 5B | 106 BPM | ||
Rachel, quand du Seigneur (La Juive) | Richard Tucker, The Columbia Opera Orchestra | F Minor | 2 | 4A | 92 BPM | ||
Madama Butterfly / Act II: Ora a noi. Sedete qui. | Giacomo Puccini, Mirella Freni, Juan Pons, Philharmonia Orchestra, Giuseppe Sinopoli | B♭ Major | 0 | 6B | 78 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
Mozart: Don Giovanni, K. 527: "Or sai chi l'onore" (Donna Anna) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | A Major | 2 | 11B | 76 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Lucia di Lammermoor Tu che a dio spiegasti l'ali | Mario del Monaco | D♭ Major | 2 | 3B | 75 BPM |