La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène VI - "Vrai dieu! messieurs"
- テンポ
- 128
- キー
- E♭ Major
- キャメロットミュージックキー
- 5B
La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène VI - "Vrai dieu! messieurs" - Hector Berlioz, London Symphony Orchestra, Michele Pertusi, Sir Colin Davis, London Symphony Chorus 情報
- 音響性
- 59%
- ダンサビリティ
- 37%
- エネルギー
- 1%
- 手段性
- 0%
- 活気
- 25%
- ラウドネス
- 39%
- 話し言葉
- 4%
- 価数
- 23%
- 人気
- 0%
- ラウドネス
- -36.608 dB
まとめ
Hector Berlioz, London Symphony Orchestra, Michele Pertusi, Sir Colin Davis, London Symphony Chorus's 'La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène VI - "Vrai dieu! messieurs"' came out on November 30, 2018. With La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène VI - "Vrai dieu! messieurs" being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 217 in Berlioz Odyssey: The Complete Colin Davis Recordings by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis. Based on our statistics, La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène VI - "Vrai dieu! messieurs"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène VI - "Vrai dieu! messieurs" テンポ
The tempo marking of La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène VI - "Vrai dieu! messieurs" by Hector Berlioz, London Symphony Orchestra, Michele Pertusi, Sir Colin Davis, London Symphony Chorus is Allegro (fast, quick, and bright), since this song has a tempo of 128 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
La Damnation de Faust, Op. 24, H. 111, Pt. II: Scène VI - "Vrai dieu! messieurs" キー
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
おすすめの曲
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Scottish Fantasy for Violin and Orchestra, Op. 46: II. Scherzo: Allegro | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | G Major | 2 | 9B | 115 BPM | |
 | Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | |
 | Pictures At An Exhibition: The Market-place At Limoges | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 3 | 5B | 106 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: III. Allegro molto | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 2 | 8B | 81 BPM | |
 | Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | |
 | Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | |
 | Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | |
 | Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | |
 | Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 1 | 8A | 115 BPM |
- ISRC
- This song does not have an ISRC.
- レコードレーベル
- L-M Records/RCA Records