"Manru: Act I Scene 7: Brak slow - Matce wbrew, to znaczy neibiosom wbrew (Ulana, Urok)" by Ignacy Jan Paderewski, Janusz Ratajczak, Wioletta Chodowicz, Barbara Krahel, Leszek Skrla, Monika Ledzion, Jacek Greszta, Lukasz Golinski, Marcin Naruszewicz, Magdalena Polkowska, Opera Nova Bygdoszcz Chorus, Krzysztof Jakowicz, Ihor Lomaha, Opera Nova Bygdoszcz Orchestra, Maciej Figas was released on August 27, 2013. With this song being about 5 minutes long, at 5:13, "Manru: Act I Scene 7: Brak slow - Matce wbrew, to znaczy neibiosom wbrew (Ulana, Urok)" by Ignacy Jan Paderewski, Janusz Ratajczak, Wioletta Chodowicz, Barbara Krahel, Leszek Skrla, Monika Ledzion, Jacek Greszta, Lukasz Golinski, Marcin Naruszewicz, Magdalena Polkowska, Opera Nova Bygdoszcz Chorus, Krzysztof Jakowicz, Ihor Lomaha, Opera Nova Bygdoszcz Orchestra, Maciej Figas is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 23 in the song's album "Paderewski: Manru". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Poland. In terms of popularity, Manru: Act I Scene 7: Brak slow - Matce wbrew, to znaczy neibiosom wbrew (Ulana, Urok) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manru: Act I Scene 7: Brak slow - Matce wbrew, to znaczy neibiosom wbrew (Ulana, Urok) by Ignacy Jan Paderewski, Janusz Ratajczak, Wioletta Chodowicz, Barbara Krahel, Leszek Skrla, Monika Ledzion, Jacek Greszta, Lukasz Golinski, Marcin Naruszewicz, Magdalena Polkowska, Opera Nova Bygdoszcz Chorus, Krzysztof Jakowicz, Ihor Lomaha, Opera Nova Bygdoszcz Orchestra, Maciej Figas having a テンポ of 107 with a half-time of 54 テンポ and a double-time of 214 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnaval, Op. 9: No. 18. Aveu | Robert Schumann, Boris Giltburg | G Minor | 1 | 6A | 147 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Preludes Op. 23: No. 4 in D major: Andante cantabile | Sergei Rachmaninoff, Alessio Bax | A Major | 2 | 11B | 103 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Evening Songs, B. 61: No. 8, You Little, Tiny Birds, Op. 31 (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | A♭ Major | 0 | 4B | 69 BPM | ||
Nursery rhyme: Farewell | Shiuan Chang, Evan Wong | N/A | N/A | N/A | 0 BPM | ||
Pièces Lyriques, Op. 12 No. 1: Arietta | Edvard Grieg, Shani Diluka | E♭ Major | 0 | 5B | 67 BPM | ||
6 Humoresques de concert, Op. 14, Book 1 "À l'antique": No. 2, Sarabande | Ignacy Jan Paderewski, Yukio Yokoyama | B Minor | 0 | 10A | 65 BPM | ||
Piano Sonata in G Minor: II. Romanza: Andante quasi adagio | Wilhelm Stenhammar, Niklas Sivelov | B♭ Major | 0 | 6B | 74 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM |