Ignacy Jan Paderewski, Yukio Yokoyama's '6 Humoresques de concert, Op. 14, Book 1 "À l'antique": No. 2, Sarabande' came out on February 1, 2019. The duration of 6 Humoresques de concert, Op. 14, Book 1 "À l'antique": No. 2, Sarabande is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. 6 Humoresques de concert, Op. 14, Book 1 "À l'antique": No. 2, Sarabande's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Paderewski: Piano Masterpieces". In this album, this song's track order is #4. 6 Humoresques de concert, Op. 14, Book 1 "À l'antique": No. 2, Sarabande is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 6 Humoresques de concert, Op. 14, Book 1 "À l'antique": No. 2, Sarabande by Ignacy Jan Paderewski, Yukio Yokoyama having a テンポ of 65 with a half-time of 32 テンポ and a double-time of 130 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
9 Preludes, Op. 1: No. 7 in C Minor. Moderato | Karol Szymanowski, Krystian Zimerman | D♭ Major | 0 | 3B | 67 BPM | ||
Miscellanea, Op. 16: IV. Nocturne in B Flat Major | Ignacy Jan Paderewski, Jan Lisiecki | G Major | 1 | 9B | 83 BPM | ||
Bagatellen: V | Valentin Silvestrov | G Major | 0 | 9B | 92 BPM | ||
8 Easy Pieces, Op. 43: No. 1, Prélude | Reinhold Glière, Alton Chung Ming Chan | D♭ Major | 0 | 3B | 66 BPM | ||
Piano Quintet in A Major, Op. 81, B. 155: II. Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B Minor | 0 | 10A | 71 BPM | ||
12 Etudes, Op. 10: 12 Etudes, Op. 10 / No. 1 in C Major | Frédéric Chopin, Yukio Yokoyama | C Major | 3 | 8B | 83 BPM | ||
Chant D' Amour Op. 26/3 | Ignacy Jan Paderewski | F Minor | 0 | 4A | 76 BPM | ||
La Veneziana (Barcarolle) in G Minor CG 593 | Charles Gounod, Roberto Prosseda | G Minor | 0 | 6A | 86 BPM | ||
6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: I. Carattere Espagnuolo | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | G Major | 1 | 9B | 107 BPM | ||
Lyrical Pieces, Op. 12: No. 4, Elves' dance | Edvard Grieg, Denis Kozhukhin | C Major | 1 | 8B | 123 BPM |