Gaetano Donizetti, Mario del Monaco, The New Symphony Orchestra Of London, Alberto Erede's 'Lucia di Lammermoor / Act 3: "Tu che a Dio spiegasti l'ali"' had a release date set for January 1, 1959. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Lucia di Lammermoor / Act 3: "Tu che a Dio spiegasti l'ali"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mario del Monaco, The New Symphony Orchestra Of London, Alberto Erede's "Mario del Monaco: Great Tenor Arias" album is number 12 out of 12. Lucia di Lammermoor / Act 3: "Tu che a Dio spiegasti l'ali" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lucia di Lammermoor / Act 3: "Tu che a Dio spiegasti l'ali" by Gaetano Donizetti, Mario del Monaco, The New Symphony Orchestra Of London, Alberto Erede to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, ossia Il dissoluto punito, K. 527 / Act II: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Anna Netrebko, Thomas Quasthoff, Staatskapelle Dresden, Sebastian Weigle | A Major | 1 | 11B | 109 BPM | ||
Massenet: Werther, Act 3: "Pourquoi me réveiller" | Jules Massenet, Kent Nagano, Anne Sofie von Otter, Jerry Hadley, Orchestre de l'Opéra de Lyon | A♭ Major | 0 | 4B | 181 BPM | ||
Tosca: Act III: O dolci mani mansuete e pure (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
Catalani: La Wally, Act 1: "Ebben, ne andrò lontana" (Wally) | Alfredo Catalani, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | E Major | 1 | 12B | 84 BPM | ||
Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Lucia di Lammermoor (1997 Digital Remaster): Lucia fra poco a te verra...Tremante I'aspetto | Gaetano Donizetti, Mario Carlin, Herbert von Karajan, RIAS Sinfonie-Orchester Berlin | D Major | 0 | 10B | 81 BPM | ||
Stabat Mater: Cujus animam gementem | Gioachino Rossini, Lawrence Brownlee, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Minor | 0 | 7A | 106 BPM | ||
Madama Butterfly: Tu, tu, piccolo iddio | Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma, Wiener Philharmoniker | B Minor | 3 | 10A | 97 BPM | ||
Thaïs / Acte Trois: C'est toi, mon père | Jules Massenet, Renée Fleming, Thomas Hampson, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM |