"Thaïs / Acte Trois: C'est toi, mon père" by Jules Massenet, Renée Fleming, Thomas Hampson, Orchestre National Bordeaux Aquitaine, Yves Abel was released on July 7, 2000. With this song being about 5 minutes long, at 5:21, "Thaïs / Acte Trois: C'est toi, mon père" by Jules Massenet, Renée Fleming, Thomas Hampson, Orchestre National Bordeaux Aquitaine, Yves Abel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jules Massenet, Renée Fleming, Thomas Hampson, Choeur de l'Opéra de Bordeaux, Orchestre National Bordeaux Aquitaine, Yves Abel's "Massenet: Thaïs" album is number 26 out of 50. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Thaïs / Acte Trois: C'est toi, mon père is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Thaïs / Acte Trois: C'est toi, mon père by Jules Massenet, Renée Fleming, Thomas Hampson, Orchestre National Bordeaux Aquitaine, Yves Abel to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Songs, Op. 7: I. Après un rêve (Version for Violin and Piano) | Gabriel Fauré, María Dueñas, Itamar Golan | D Major | 1 | 10B | 87 BPM | ||
Massenet: Don Quichotte, Act 3: "C'est ici le chemin que prennent les bandits" (Don Quichotte, Sancho) | Jules Massenet, Alain Fondary - Orchestre Du Capitole De Toulouse - Michel Plasson - José Van Dam, Alain Fondary, José van Dam, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 127 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 126 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Víkingur Ólafsson | F♯ Major | 0 | 2B | 76 BPM | ||
Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | A Major | 1 | 11B | 65 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Hérodiade, ACTE 4, 1er Tableau, Scène 13: Ne pouvant réprimer les élans de la foi (Jean) | Paul Milliet, Jules Massenet, Henri Gremont, Orchestra of the Royal Opera House, Covent Garden, Jacques Delacote, José Carreras | F Major | 1 | 7B | 78 BPM | ||
The Seasons, Op. 67: XIV. Petit Adagio | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 1 | 11B | 87 BPM |