Wolfgang Amadeus Mozart, Anna Netrebko, Thomas Quasthoff, Staatskapelle Dresden, Sebastian Weigle's 'Don Giovanni, ossia Il dissoluto punito, K. 527 / Act II: "Là ci darem la mano"' had a release date set for January 1, 2006. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "The Mozart Album". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. In terms of popularity, Don Giovanni, ossia Il dissoluto punito, K. 527 / Act II: "Là ci darem la mano" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Don Giovanni, ossia Il dissoluto punito, K. 527 / Act II: "Là ci darem la mano" by Wolfgang Amadeus Mozart, Anna Netrebko, Thomas Quasthoff, Staatskapelle Dresden, Sebastian Weigle having a テンポ of 109 with a half-time of 54 テンポ and a double-time of 218 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
The music key of this track is A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Die Zauberflöte / Act 1: "Der Vogelfänger bin ich ja" | Wolfgang Amadeus Mozart, Michael Kraus, Uwe Heilmann, Adrianne Pieczonka, Annette Kuettenbaum, Jard van Nes, Wiener Philharmoniker, Sir Georg Solti | G Major | 1 | 9B | 126 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 3: Polonaise | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Major | 3 | 9B | 203 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Missa in honorem Sanctissimae Trinitatis in C Major, K. 167: I. Kyrie | Wolfgang Amadeus Mozart, Cologne Chamber Orchestra, Christoph Poppen, WDR Rundfunkchor Köln | C Major | 1 | 8B | 82 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E♭ Major | 1 | 5B | 82 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Crudel! perchè finora" | Wolfgang Amadeus Mozart, Boje Skovhus, Sylvia McNair, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 122 BPM |