"Prokofiev: Cinderella, Op. 87, Act 1: Cinderella" by Sergei Prokofiev, André Previn, London Symphony Orchestra was released on January 10, 1995. The duration of Prokofiev: Cinderella, Op. 87, Act 1: Cinderella is about 3 minutes long, at 3:18. Based on our data, "Prokofiev: Cinderella, Op. 87, Act 1: Cinderella" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 54 in the song's album "Prokofiev: Cinderella - Ballet/Symphony No. 1". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Prokofiev: Cinderella, Op. 87, Act 1: Cinderella is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: Cinderella, Op. 87, Act 1: Cinderella by Sergei Prokofiev, André Previn, London Symphony Orchestra having a テンポ of 91 with a half-time of 46 テンポ and a double-time of 182 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bayadere, Act III: 46. "Variation - 3rd Soloist Shade" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 170 BPM | ||
The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - Glorification of the Chosen Victim (1921 Version) | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | B♭ Minor | 6 | 3A | 133 BPM | ||
La Bayadere: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 78 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 8, Andante | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, Frankie Wakefield, Alexander Knox, Ceri-lyn Cissone | E Major | 0 | 12B | 82 BPM | ||
The Imperial March (Darth Vader's Theme) | John Williams, London Symphony Orchestra | G Minor | 4 | 6A | 103 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Martha Argerich, London Symphony Orchestra, Claudio Abbado | A♭ Major | 1 | 4B | 111 BPM | ||
Orff: Carmina Burana, Introduction, Fortuna Imperatrix Mundi: O Fortuna | Carl Orff, André Previn, London Symphony Chorus, London Symphony Orchestra | G Major | 2 | 9B | 85 BPM | ||
Bruch: Violin Concerto No. 3 in D Minor, Op. 58: III Finale. Allegro molto | Max Bruch, Chloë Hanslip, Martyn Brabbins, London Symphony Orchestra | F Major | 1 | 7B | 144 BPM | ||
Symphony No. 1 in B-Flat Minor: II. Scherzo. Presto, con malizia | William Walton, London Symphony Orchestra, Sir Colin Davis | F Major | 2 | 7B | 153 BPM | ||
Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Shylock - Final: Allegretto vivo | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | B♭ Major | 1 | 6B | 145 BPM |