"The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - Glorification of the Chosen Victim (1921 Version)" by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra was released on 1958. With The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - Glorification of the Chosen Victim (1921 Version) being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Stravinsky: The Rite of Spring & The Firebird Suite". In this album, this song's track order is #10. Based on our statistics, The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - Glorification of the Chosen Victim (1921 Version)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - Glorification of the Chosen Victim (1921 Version) by Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra having a テンポ of 133 with a half-time of 66 テンポ and a double-time of 266 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition: III. Tuileries (Dispute d'enfants après jeux) | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 106 BPM | ||
Symphony No. 2 in B Minor: IV. Finale: allegro | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | G Major | 3 | 9B | 148 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Nervoso - Allegro - Andante | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | B♭ Minor | 1 | 3A | 86 BPM | ||
Variations On A Theme By Haydn, Op.56a: Variation VIII: Presto non troppo | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 0 | 2B | 175 BPM | ||
L'Oiseau de feu, K010: IV. Danse de l’oiseau de feu | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | D♭ Major | 2 | 3B | 108 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale (Sehr ruhig) | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
Enigma Variations: Variation XI. G.R.S - Allegro di molto | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | D Major | 2 | 10B | 164 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17b, Allegro vivo | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 79 BPM | ||
Japanese Suite, Op. 33: III. Dance of the Marionette | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 0 | 5A | 177 BPM | ||
Symphony No. 1 in F Minor, Op. 10: III. Lento - Largo - [Lento] (attacca:) - Live | Dmitri Shostakovich, Chicago Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 102 BPM |