"La Bayadere: Andante" by Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov was released on January 1, 1995. The duration of La Bayadere: Andante is about 3 minutes long, at 3:18. Based on our data, "La Bayadere: Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ludwig Minkus, Boris Spassov's "Minkus, L.: Bayadere (La) / Paquita [Ballets]" album is number 5 out of 30. La Bayadere: Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadere: Andante by Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
10 Hungarian Dances, Woo 1 (Version For Piano): No. 1 In G Minor | Johannes Brahms, Idil Biret | G Minor | 1 | 6A | 80 BPM | ||
Prokofiev: Cinderella, Op. 87, Act 1: No. 12, The Spring Fairy (Presto) | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 82 BPM | ||
Faust, Ballet Music (1869): 6. Variations du miroir (Allegretto) | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 20, Romeo's Variation | Sergei Prokofiev, André Previn, London Symphony Orchestra | B♭ Minor | 2 | 3A | 139 BPM | ||
Serenade in E Minor, Op. 20: III. Allegretto | Edward Elgar, Mainz Chamber Orchestra, Gernot Schulz | G Major | 1 | 9B | 89 BPM | ||
Waltz No. 3 in A minor, Op. 34 No. 2 | Frédéric Chopin, Helen Callus, Philip Bush | G Minor | 0 | 6A | 76 BPM | ||
Symphony No. 1 In C Minor, Op. 68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 75 BPM | ||
Les Sylphides: 2. Nocturne, Op. 32, No. 2 | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 2 | 9B | 84 BPM | ||
Ohlas pisni (Echo of Songs), B. 152 (arr. of Cypresses, B. 11 for string quartet): There Stands an Ancient Rock | Antonín Dvořák, Vlach Quartet Prague | A♭ Major | 1 | 4B | 60 BPM | ||
The Sleeping Beauty, Op. 66 : Act II, No.15 b) Variation d'Aurore (Aurora's Variation) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | B♭ Major | 1 | 6B | 72 BPM |