Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko's 'The Sleeping Beauty, Op. 66 : Act II, No.15 b) Variation d'Aurore (Aurora's Variation)' came out on January 1, 2003. The duration of The Sleeping Beauty, Op. 66 : Act II, No.15 b) Variation d'Aurore (Aurora's Variation) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. The Sleeping Beauty, Op. 66 : Act II, No.15 b) Variation d'Aurore (Aurora's Variation)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "The Sleeping Beauty (complete) Vol. 2". In this album, this song's track order is #12. The Sleeping Beauty, Op. 66 : Act II, No.15 b) Variation d'Aurore (Aurora's Variation) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66 : Act II, No.15 b) Variation d'Aurore (Aurora's Variation) by Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Walzer (a la Paganini), Op. 11 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 164 BPM | ||
Act II: 1st Gypsy Dance (Minkus) | Mariinsky Orchestra | A Minor | 5 | 8A | 76 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): First Intermezzo | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | A Minor | 1 | 8A | 83 BPM | ||
Act III. Variation of Odiliya, The Final of the third act | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A♭ Major | 3 | 4B | 69 BPM | ||
Romeo and Juliet Suite No. 1, Op. 64bis: VI. Romeo and Juliet (Balcony Scene) | Sergei Prokofiev, Bergen Philharmonic Orchestra, Andrew Litton | F Major | 0 | 7B | 79 BPM | ||
Concerto For 4 Violins In B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Antonio Vivaldi, Capella Istropolitana | B Minor | 3 | 10A | 107 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
Ivan Susanin: Waltz | Mikhail Glinka, USSR Symphony Orchestra, Yevgeny Svetlanov | A Major | 0 | 11B | 185 BPM | ||
La Bayadere: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 99 BPM | ||
Romances, L. 79: Romance No. 1 | Claude Debussy, Luigi Puxeddu, Jolanda Violante | B Minor | 0 | 10A | 66 BPM |