"Symphony No. 1 In C Minor, Op. 68: 2. Andante sostenuto" by Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1978. Since Symphony No. 1 In C Minor, Op. 68: 2. Andante sostenuto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 16 in Brahms: The Symphonies by Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Symphony No. 1 In C Minor, Op. 68: 2. Andante sostenuto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 1 In C Minor, Op. 68: 2. Andante sostenuto by Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 6 In B Minor, Op. 74, TH.30: 4. Finale (Adagio lamentoso - Andante) | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | F Major | 5 | 7B | 83 BPM | ||
Symphony No. 2, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Valeri Kuzmich Polyansky, Russian State Symphony Orchestra, State Symphony Capella of Russia | A Major | 2 | 11B | 103 BPM | ||
Images: No. 3. Rondes de printemps | Claude Debussy, Orchestre National De Lyon, Jun Markl | A♭ Major | 1 | 4B | 134 BPM | ||
Symphony No. 1: III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Berliner Philharmoniker, Daniel Harding | G Minor | 0 | 6A | 107 BPM | ||
Melody in F Op. 3 No. 1 | Anton Rubinstein, Moura Lympany | F Major | 0 | 7B | 77 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 3. Allegretto grazioso - Molto vivace | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | C Minor | 1 | 5A | 83 BPM | ||
Ein Sommernachtstraum (A Midsummer Night's Dream) Ouvertüre, Op.21 & Schauspielmusik, Op.61: No. 7 Notturno - Con moto tranquillo | Felix Mendelssohn, Claudio Abbado, Berliner Philharmoniker | E Major | 0 | 12B | 83 BPM | ||
La Bohème / Act 1: "Chi è là?" | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 85 BPM | ||
Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": II. Andante quasi Allegretto (2nd version, 1878–80) | Anton Bruckner, Berliner Philharmoniker, Bernard Haitink | A Minor | 8 | 8A | 118 BPM | ||
Sylvia: Prelude: The Huntresses | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | E♭ Major | 2 | 5B | 80 BPM |