"Symphony No. 1 in B-Flat Minor: II. Scherzo. Presto, con malizia" by William Walton, London Symphony Orchestra, Sir Colin Davis was released on May 8, 2006. Since Symphony No. 1 in B-Flat Minor: II. Scherzo. Presto, con malizia is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Walton: Symphony No. 1 by William Walton, London Symphony Orchestra, Sir Colin Davis. The song's track number on the album is #2 out of 4 tracks. Based on our statistics, Symphony No. 1 in B-Flat Minor: II. Scherzo. Presto, con malizia's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Symphony No. 1 in B-Flat Minor: II. Scherzo. Presto, con malizia by William Walton, London Symphony Orchestra, Sir Colin Davis has a tempo of 153 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Symphony No. 1 in B-Flat Minor: II. Scherzo. Presto, con malizia being at 153 テンポ, the half-time would be 76 テンポ with a double-time of 306 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 3/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnival of the Animals: XI. Piano Players | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Major | 1 | 8B | 82 BPM | ||
Symphony No.3 - "Liturgique": 1. "Dies Irae" - Allegro marcato | Arthur Honegger, Berliner Philharmoniker, Herbert von Karajan | C Major | 6 | 8B | 143 BPM | ||
Symphony No. 4 in C Minor, Op. 43: IV. Largo | Dmitri Shostakovich, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F♯ Major | 1 | 2B | 85 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Petrouchka - Version 1947 - Scene 2: Part 2 - Petrushka | Igor Stravinsky, Shibley Boyes, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 131 BPM | ||
Eine Alpensinfonie: V. Auf dem Gletscher - Gefahrvolle Augenblicke | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Minor | 0 | 11A | 83 BPM | ||
Facade: Tarantella | William Walton, The English Opera Group Ensemble, Dame Edith Sitwell, Sir Peter Pears, Anthony Collins | A♭ Minor | 1 | 1A | 67 BPM | ||
Roman Festivals: I. Circenses | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert | D♭ Major | 1 | 3B | 135 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 174 BPM | ||
Manfred, Op. 115: Overture | Robert Schumann, London Symphony Orchestra, Yondani Butt | E♭ Minor | 2 | 2A | 136 BPM |