"Sorozábal: La del manojo de rosas, Act 2: No. 10, Romanza, "No, no me importa … Madrileña bonita" (Joaquin)" by Pablo Sorozábal, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid had its release date on February 5, 2007. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Sorozábal: La del manojo de rosas, Act 2: No. 10, Romanza, "No, no me importa … Madrileña bonita" (Joaquin)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid's "Gitano" album is number 12 out of 15. Based on our statistics, Sorozábal: La del manojo de rosas, Act 2: No. 10, Romanza, "No, no me importa … Madrileña bonita" (Joaquin)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sorozábal: La del manojo de rosas, Act 2: No. 10, Romanza, "No, no me importa … Madrileña bonita" (Joaquin) by Pablo Sorozábal, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid to be Allegro (fast, quick, and bright) because the track has a tempo of 135 テンポ, a half-time of 68テンポ, and a double-time of 270 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valses - Remasterizado | Luis Cobos | D Major | 1 | 10B | 174 BPM | ||
Il Barbiere di Siviglia, Act II: Zitti, zitti, piano, piano (Figaro/Conte/Rosina) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi | F Major | 1 | 7B | 142 BPM | ||
Katiuska: "Todo Es Camino, Lleno de Tristeza" | Pablo Sorozábal, Orquesta de Conciertos de Madrid | A Major | 2 | 11B | 87 BPM | ||
Introducción | Carlos Garcia Alvarez, Tony Rosado, Teresa Berganza, Carlos Munguia, Arturo Diaz, Manuel Ortega, Orquesta de Conciertos de Madrid, Pablo Sorozábal, Cantores de Madrid | B♭ Minor | 3 | 3A | 89 BPM | ||
La del Soto del Parral | Orquesta Y Coros Montilla | D Major | 2 | 10B | 92 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Adriana Lecouvreur: Act I: la Dolcissima Effige | Franco Corelli, Francesco Cilea, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile | G Major | 7 | 9B | 102 BPM | ||
O cessate di piagarmi | Alessandro Scarlatti, Ramón Vargas | A Minor | 2 | 8A | 84 BPM | ||
"Heia, heia, in den Bergen ist mein Heimatland" | Emmerich Kálmán, Anna Netrebko | C Minor | 4 | 5A | 72 BPM |