"O cessate di piagarmi" by Alessandro Scarlatti, Ramón Vargas was released on October 7, 2002. The duration of O cessate di piagarmi is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. O cessate di piagarmi's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 16 in Arie Antiche by Ramón Vargas. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. O cessate di piagarmi is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O cessate di piagarmi by Alessandro Scarlatti, Ramón Vargas is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen / Act 2: Couplets: "Votre toast, je peux vous le rendre" | Georges Bizet, Ludovic Tezier, SWR Symphony Orchestra, Marco Armiliato | B♭ Minor | 4 | 3A | 103 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 92 BPM | ||
Le Nozze di Figaro, K. 492: Atto terzo. Scene 9 & 10. N.21 Duettino Susanna, La Contessa "Su l'aria..." | Wolfgang Amadeus Mozart, Concerto Köln, Patrizia Ciofi, René Jacobs, Véronique Gens | B♭ Major | 1 | 6B | 83 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
L'Arlesiana / Act 2: "E la solita storia" | Francesco Cilea, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F Major | 1 | 7B | 84 BPM | ||
Delibes : Lakmé : Act 2 The Bell Song [Lakmé] | Léo Delibes, Sumi Jo, Paolo Olmi, Monte-Carlo Philharmonic Orchestra | G Major | 1 | 9B | 132 BPM | ||
Il barbiere di Siviglia / Act 1: Una voce poco fa | Gioachino Rossini, Kathleen Battle, Chamber Orchestra of Europe, Claudio Abbado | E Major | 0 | 12B | 113 BPM | ||
La Sonnambula / Act 1: "Perdona, o mia diletta...Prendi: L'anel ti dono" | Vincenzo Bellini, Luciano Pavarotti, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 79 BPM | ||
The Queen of Spades, Op. 68, Act II: Ya vas liubliu (I Love You) | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 96 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1, No. 5: Una voce poco fa | Gioachino Rossini, Jesús López-Cobos, Orchestre de Chambre de Lausanne | E Major | 1 | 12B | 68 BPM |