"L'Arlesiana / Act 2: "E la solita storia"" by Francesco Cilea, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano was released on January 1, 2010. With this song being about 5 minutes long, at 4:35, "L'Arlesiana / Act 2: "E la solita storia"" by Francesco Cilea, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verismo Arias by Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano. The song's track number on the album is #4 out of 18 tracks. L'Arlesiana / Act 2: "E la solita storia" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since L'Arlesiana / Act 2: "E la solita storia" by Francesco Cilea, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With L'Arlesiana / Act 2: "E la solita storia" being at 84 テンポ, the half-time would be 42 テンポ with a double-time of 168 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thaïs / Acte Trois: C'est toi, mon père | Jules Massenet, Renée Fleming, Thomas Hampson, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
L'elisir d'amore / Act I: "Chiedi all'aura lusinghiera" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | E♭ Major | 1 | 5B | 77 BPM | ||
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM | ||
Addio ai Viennesi - Live | Michael Spyres, Steven Blier, New York Festival Of Song | E Major | 2 | 12B | 69 BPM | ||
Spargi d’amaro pianto | Renata Scotto | E♭ Major | 1 | 5B | 129 BPM | ||
La Cenerentola: "Sì, ritrovarla io giuro" | Gioachino Rossini, Javier Camarena, Les Musiciens du Prince-Monaco, Gianluca Capuano | G Major | 3 | 9B | 65 BPM | ||
Petite Messe solennelle - Gloria: Domine Deus | Gioachino Rossini, Luciano Pavarotti, Leone Magiera, Vittoria Rosetta, Romano Gandolfi | D Major | 4 | 10B | 108 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
Il barbiere di Siviglia / Act 2: Cessa di più resistere | Gioachino Rossini, Juan Diego Flórez, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | B♭ Major | 2 | 6B | 115 BPM | ||
L'arlesiana: Act II: Il sol tramonta … E la solita storia (L'Innocente, Federico) | Francesco Cilea, Kyoung-Eun Lee, Giuseppe Filianoti, Freiburg Philharmonic Orchestra, Fabrice Bollon | F Major | 0 | 7B | 49 BPM |