Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi made "Il Barbiere di Siviglia, Act II: Zitti, zitti, piano, piano (Figaro/Conte/Rosina)" available on 1958. With Il Barbiere di Siviglia, Act II: Zitti, zitti, piano, piano (Figaro/Conte/Rosina) being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 53 in the song's album "Rossini: Il Barbiere di Siviglia". In this album, this song's track order is #25. Based on our statistics, Il Barbiere di Siviglia, Act II: Zitti, zitti, piano, piano (Figaro/Conte/Rosina)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Il Barbiere di Siviglia, Act II: Zitti, zitti, piano, piano (Figaro/Conte/Rosina) by Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi having a テンポ of 142 with a half-time of 71 テンポ and a double-time of 284 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 79 BPM | ||
L'italiana in Algeri: Atto Ii. Recitativo. Orsù: La tua nipote con chi crede | Gioachino Rossini, Ricardo Seguel, Alasdair Kent, Pablo Ruiz, Orchestra Of The 18th Century, Giancarlo Andretta | B Major | 2 | 1B | 171 BPM | ||
Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | ||
Norma: Act I: Introduction Instrumental | Vincenzo Bellini, Mario del Monaco, Nicola Zaccaria, Maria Callas, Giulietta Simionato, Gabriella Carturan, Giuseppe Zampieri, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | G Major | 3 | 9B | 100 BPM | ||
Cherubini: Medea, Act 3: "Neris, che hai fatto" (Medea, Neris) | Luigi Cherubini, Maria Callas, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Minor | 1 | 7A | 93 BPM | ||
Les Contes d'Hoffmann / Act 1: Le conseiller Lindorf, morbleu! | Jacques Offenbach, Andreas Schmidt, Robert Gambill, Orchestre National De France, Seiji Ozawa | B♭ Major | 1 | 6B | 107 BPM | ||
Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Maria Callas, RAI Symphony Orchestra, Rome, Tullio Serafin | A♭ Major | 1 | 4B | 136 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Ehi, Fiorello? ... Mio signore ... (Conte/Fiorello/Coro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | D Major | 1 | 10B | 112 BPM | ||
Maristella / Act 1: "Io conosco un giardino" | Giuseppe Pietri, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | F♯ Major | 3 | 2B | 172 BPM | ||
Puccini: Tosca, Act 2 Scene 5: "Vissi d'arte, vissi d'amore" (Tosca) | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | E♭ Major | 2 | 5B | 83 BPM |