Giuseppe Pietri, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera's 'Maristella / Act 1: "Io conosco un giardino"' came out on January 1, 1971. The duration of Maristella / Act 1: "Io conosco un giardino" is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Maristella / Act 1: "Io conosco un giardino"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Tenor Arias from Italian Opera". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. The popularity of Maristella / Act 1: "Io conosco un giardino" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Maristella / Act 1: "Io conosco un giardino" by Giuseppe Pietri, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera having a テンポ of 172 with a half-time of 86 テンポ and a double-time of 344 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann (2003 - Remaster), Act II: Les oiseaux dans la charmille :Chanson de la poupéee (Olympia/Chorus) | Jacques Offenbach, Gianna d' Angelo/Choeurs René Duclos/Orchestre de la Société des Concerts du Conservatoire/André Cluytens, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 1 | 4B | 103 BPM | ||
Se è vero che ci sei | Biagio Antonacci, Luciano Pavarotti | D♭ Minor | 5 | 12A | 88 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 2: "Samson, recherchant ma présence ... Amour, viens aider ma faiblesse" | Camille Saint-Saëns, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | A♭ Major | 1 | 4B | 176 BPM | ||
La Cenerentola / Act 2: Ah, signor, s'è ver che in petto | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
Cavalleria rusticana: "Mamma, quel vino è generoso" | Pietro Mascagni, Maria Gracia Allegri, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 92 BPM | ||
La Wally/Ebben, Ne Andrò Lontana | Montserrat Caballé, Orquesta Sinfónica de Barcelona | E Minor | 1 | 9A | 79 BPM | ||
Lucia di Lammermoor / Act 3.: "Tombe degl'avi miei...Fra poco a me ricovero" | Gaetano Donizetti, Luciano Pavarotti, Wiener Opernorchester, Sir Edward Downes | E♭ Major | 2 | 5B | 102 BPM | ||
Carmen / Act 2: Chanson: "Les tringles des sistres tintaient" | Georges Bizet, Christine Barbaux, Agnes Baltsa, Jane Berbié, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 106 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Meco all’altar di Venere " | Vincenzo Bellini, John Osborn, Reinaldo Macias, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | C Minor | 3 | 5A | 79 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM |