Franco Corelli, Francesco Cilea, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile's 'Adriana Lecouvreur: Act I: la Dolcissima Effige' came out on March 3, 1956. The duration of Adriana Lecouvreur: Act I: la Dolcissima Effige is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Adriana Lecouvreur: Act I: la Dolcissima Effige's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franco Corelli's "L'incredibile Franco Corelli" album is number 7 out of 38. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Adriana Lecouvreur: Act I: la Dolcissima Effige is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Adriana Lecouvreur: Act I: la Dolcissima Effige by Franco Corelli, Francesco Cilea, Orchestra Sinfonica Nazionale della RAI di Torino, Arturo Basile to be Andante (at a walking pace) because the track has a tempo of 102 テンポ, a half-time of 51テンポ, and a double-time of 204 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andrea Chénier, 3. Akt: La mamma morta (Philadelphia): Act IV: Come un bel di di maggio | Umberto Giordano, Franco Corelli, RAI Symphony Orchestra, Turin, Arturo Basile | F Major | 2 | 7B | 98 BPM | ||
Ave, Verum Corpus | Franco Corelli | A Major | 1 | 11B | 66 BPM | ||
Il Bacio | Luigi Arditi, Olga Peretyatko, Enrique Mazzola | D Major | 1 | 10B | 96 BPM | ||
I puritani / Act 1: "A te, o cara" | Vincenzo Bellini, Juan Diego Flórez, Ermonela Jaho, Nikola Mijailovic, Nicola Ulivieri, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | D Major | 2 | 10B | 76 BPM | ||
Carmen, WD 31 (Sung in Italian): È l'amore uno strano agello [Remastered 2022] | Georges Bizet, Orchestra Sinfonica e Coro di Torino della RAI, Pia Tassinari, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai | D♭ Major | 3 | 3B | 94 BPM | ||
Il Barbiere di Siviglia: Mi par d'esser con la testa - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | F♯ Major | 5 | 2B | 86 BPM | ||
Core 'ngrato | Salvatore Cardillo, Mario del Monaco, Mantovani | E♭ Major | 4 | 5B | 127 BPM | ||
Musica proibita | Stanislao Gastaldon, Juan Diego Flórez, Avi Avital, Ksenija Sidorova, Filarmonica Gioachino Rossini, Carlo Tenan | E♭ Major | 2 | 5B | 79 BPM | ||
Norma / Act 1: Sediziose voci, voci di guerra | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 1 | 3B | 69 BPM | ||
Il Barbiere di Siviglia: Pace e gioia sia con voi - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 93 BPM |