"Andrea Chénier, 3. Akt: La mamma morta (Philadelphia): Act IV: Come un bel di di maggio" by Umberto Giordano, Franco Corelli, RAI Symphony Orchestra, Turin, Arturo Basile was released on November 1, 2012. The duration of Andrea Chénier, 3. Akt: La mamma morta (Philadelphia): Act IV: Come un bel di di maggio is about 3 minutes long, at 3:12. Based on our data, "Andrea Chénier, 3. Akt: La mamma morta (Philadelphia): Act IV: Come un bel di di maggio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 11 in Franco Corelli: Power and Beauty, Vol. 2 (1954, 1960) by Franco Corelli, Lovro Von Matacic, Arturo Basile, Umberto Cantini. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Andrea Chénier, 3. Akt: La mamma morta (Philadelphia): Act IV: Come un bel di di maggio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Andrea Chénier, 3. Akt: La mamma morta (Philadelphia): Act IV: Come un bel di di maggio by Umberto Giordano, Franco Corelli, RAI Symphony Orchestra, Turin, Arturo Basile is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen / Act 1: Que chercez-vous, la belle? | Georges Bizet, Katia Ricciarelli, Mikael Melbye, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E♭ Major | 0 | 5B | 84 BPM | ||
Don Giovanni, K. 527, Act II Scene 10: Il mio tesoro intanto | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | F Major | 3 | 7B | 112 BPM | ||
Leoncavallo: Mattinata | Ruggero Leoncavallo, Enrico Caruso | E Major | 2 | 12B | 85 BPM | ||
Faust, CG 4 / Act I: "Mais ce Dieu" | Charles Gounod, Rolando Villazón, Orchestre Métropolitain, Yannick Nézet-Séguin | C Major | 3 | 8B | 64 BPM | ||
The Bohemian Girl - Arr. By Karel Mark Chichon: I Dreamt I Dwelt In Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" - Remastered | Umberto Giordano, Andrea Bocelli, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda | D♭ Minor | 3 | 12A | 81 BPM | ||
Andrea Chénier / Act 4: "Vicino a te" | Umberto Giordano, Violeta Urmana, Orchestra Sinfonica di Milano Giuseppe Verdi, Marco Armiliato | F Minor | 1 | 4A | 71 BPM | ||
Carmen, Act I, No.3 Choeur des Gamins: Rècit: Une jeune fille charmante (Moralès/Don José)Et la garde descendante rentre chez elle et s'en va (Enfants) | Georges Bizet, Ludovic Tézier/Roberto Alagna/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 1 | 8B | 126 BPM | ||
Vi ravviso, luoghi ameni (La Sonnambula) | Cesare Siepi, Orchestra Sinfonica di Torino della Radio Italiana | A♭ Major | 4 | 4B | 86 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1, No. 5: Una voce poco fa | Gioachino Rossini, Jesús López-Cobos, Orchestre de Chambre de Lausanne | E Major | 1 | 12B | 68 BPM |