Cesare Siepi, Orchestra Sinfonica di Torino della Radio Italiana's 'Vi ravviso, luoghi ameni (La Sonnambula)' came out on July 30, 2006. The duration of Vi ravviso, luoghi ameni (La Sonnambula) is about 3 minutes long, at 3:02. Based on our data, "Vi ravviso, luoghi ameni (La Sonnambula)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Cesare Siepi's "Lebendige Vergangenheit - Cesare Siepi" album is number 4 out of 19. Vi ravviso, luoghi ameni (La Sonnambula) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vi ravviso, luoghi ameni (La Sonnambula) by Cesare Siepi, Orchestra Sinfonica di Torino della Radio Italiana to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucrezia Borgia / Act II: "Il segreto per esser felici" | Gaetano Donizetti, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado, Coro del Teatro Comunale di Bologna, Paolo Vero | C Major | 1 | 8B | 110 BPM | ||
La più bella del mondo | Marino Marini, Cesare Siepi, Dino di Stefano, Unknown Orchestra | B Minor | 2 | 10A | 73 BPM | ||
Tu sul labbro de veggenti (Nabucco) | Cesare Siepi, Orchestra Sinfonica di Torino della Radio Italiana | G Major | 3 | 9B | 72 BPM | ||
L'elisir d'amore / Act 1: "Come Paride vezzoso" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Leo Nucci, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 82 BPM | ||
Prince Igor (Knyaz Igor), Act II: Ni sna ne otdikha | Alexander Borodin, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | D♭ Major | 3 | 3B | 140 BPM | ||
L'elisir d'amore / Act 1: "Udite, udite, o rustici" | Gaetano Donizetti, Enzo Dara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A Major | 2 | 11B | 129 BPM | ||
Norma / Act 1: Oh! qual traspare orribile | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 134 BPM | ||
Amadis: Amadis, Act II: Bois epais | Jean-Baptiste Lully, Cesare Siepi, Artist Unknown | B♭ Minor | 1 | 3A | 75 BPM | ||
Si, mi chiamano Mimi (La Bohème) | Magda Olivero, Orchestra Sinfonica di Torino della Radio Italiana | D Major | 2 | 10B | 77 BPM | ||
Il barbiere di Siviglia / Act 1: Una voce poco fa | Gioachino Rossini, Kathleen Battle, Chamber Orchestra of Europe, Claudio Abbado | E Major | 0 | 12B | 113 BPM |