On January 16, 1997, the song "Jockey-Polka (Schnell), Op. 278" was released by Josef Strauss, Slovak Radio Symphony Orchestra. With Jockey-Polka (Schnell), Op. 278 being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Josef Strauss's "Josef Strauss: Edition - Vol. 4" album is number 11 out of 12. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Jockey-Polka (Schnell), Op. 278 is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Jockey-Polka (Schnell), Op. 278 by Josef Strauss, Slovak Radio Symphony Orchestra to be Vivace (lively and fast) because the track has a tempo of 163 テンポ, a half-time of 82テンポ, and a double-time of 326 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
East Timor ["Fatherland, fatherland, East Timor our Nation!…"] (short) | Afonso de Araujo, Peter Breiner, Slovak Radio Symphony Orchestra | C Major | 3 | 8B | 138 BPM | ||
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
Cinderella, Op. 87: Act I: No. 12. The Spring Fairy | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Large Symphony Orchestra | D♭ Major | 1 | 3B | 114 BPM | ||
Les Ruses d'amour, Op. 61: Danse de Marionettes | Alexander Glazunov, Iasi Moldova Philharmonic Orchestra, Horia Andreescu | D Minor | 0 | 7A | 113 BPM | ||
Danish Folk-Music Suite: The Power Of Love | Percy Grainger, Slovak Radio Symphony Orchestra | A♭ Major | 0 | 4B | 80 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Allegro moderato: Coda | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 84 BPM | ||
The Sleeping Beauty, Op. 66, TH 13: Marche | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Andrew Mogrelia | B♭ Minor | 0 | 3A | 79 BPM | ||
Act I: Sancho Panza & The Maidens (Minkus) | Mariinsky Orchestra | E♭ Major | 4 | 5B | 171 BPM | ||
Act I: Scene. Entree Of Don Quixote & Sancho Panza (Minkus) | Mariinsky Orchestra | B♭ Major | 2 | 6B | 122 BPM | ||
Coppelia: Act III - Valse des heures | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 119 BPM |