March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov made "La Fille Mal Gardee: Pas de (arr. March): Act II: Allegro moderato: Coda" available on January 1, 2002. With La Fille Mal Gardee: Pas de (arr. March): Act II: Allegro moderato: Coda being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 26 in Ballet Music - Burgmuller, Tchaikovsky, Minkus, Paulli, Hertel, & Asafiev by Boris Spassov. La Fille Mal Gardee: Pas de (arr. March): Act II: Allegro moderato: Coda is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of La Fille Mal Gardee: Pas de (arr. March): Act II: Allegro moderato: Coda by March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 98 BPM | ||
Prince Igor (1998 Digital Remaster), Scene 2: Muzhaisya, knyaginya | Alexander Borodin, Constantin Chekerliski, Boris Christoff, Todor Todorov, Julia Wiener, Reni Penkova, Jerzy Semkow, Sofia National Opera Orchestra, Sofia National Opera Chorus | F♯ Major | 1 | 2B | 117 BPM | ||
Neva Polka, Op. 288 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | E♭ Major | 4 | 5B | 80 BPM | ||
Ancient Airs And Dances, Suite No.3, [P. 172]: 2. Arie di corte | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 1 | 6A | 90 BPM | ||
Johannes Brahms: Sinfonie Nr. 3 F-Dur op. 90 - III. Poco Allegretto | Royal Philharmonic Orchestra, Robert Bachmann | C Minor | 0 | 5A | 81 BPM | ||
Manon Ballet - Arranged and orchestrated by Leighton Lucas with the collaboration of Hilda Gaunt / Act 3: Scene 3 - A Swamp in Louisiana | Jules Massenet, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D♭ Major | 3 | 3B | 70 BPM | ||
Act I: The Dance Of Espada & Toreros With Cloaks (Minkus) | Mariinsky Orchestra | B♭ Major | 2 | 6B | 180 BPM | ||
Giselle: Act II: Andante: Men's Variation | Adolphe Adam, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 2 | 5B | 84 BPM | ||
Raymonda, Act II: Variaiton 2 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | B Major | 0 | 1B | 92 BPM | ||
Die Landstreicher: Ouvertüre | Carl Michael Ziehrer, Andris Nelsons, Wiener Philharmoniker | E♭ Major | 3 | 5B | 141 BPM |