Adolphe Adam, Sofia National Opera Orchestra, Boris Spassov made "Giselle: Act II: Andante: Men's Variation" available on January 1, 2002. With Giselle: Act II: Andante: Men's Variation being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 16 out of 26 in Ballet Music - Burgmuller, Tchaikovsky, Minkus, Paulli, Hertel, & Asafiev by Boris Spassov. Giselle: Act II: Andante: Men's Variation is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Giselle: Act II: Andante: Men's Variation by Adolphe Adam, Sofia National Opera Orchestra, Boris Spassov is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act III. Spanish dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | F♯ Minor | 2 | 11A | 119 BPM | ||
Act III: Variation II La fee Argent | Moscow New Philharmonic Orchestra, Vladimir Ponkin | A♭ Major | 1 | 4B | 115 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
Coppelia: Act III - Danse de fete | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 72 BPM | ||
Romeo and Juliet, Op.64 - Act 1: The Departure Of the Guests - Gavotte | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 0 | 9B | 136 BPM | ||
Ballet Suite No. 3 (arr. L. Atovmyan): Gavotte (The Human Comedy) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 173 BPM | ||
Act I: Scene. Entree Of Don Quixote & Sancho Panza (Minkus) | Mariinsky Orchestra | B♭ Major | 2 | 6B | 122 BPM | ||
La Sylphide: Act I: Arrival of the Guests - Pas d'ecossaise | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | C Major | 1 | 8B | 82 BPM | ||
Lestocq, ou l'intrigue et l'amour, S. 24 (Excerpts): Act II Entr'acte | Daniel Auber, Moravian Philharmonic Orchestra, Dario Salvi | C Minor | 3 | 5A | 110 BPM | ||
Giselle: Peasant pas de deux (arr. March): Act I: Allegretto: Adagio | Franz Burgmüller, March, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 133 BPM |