"Lestocq, ou l'intrigue et l'amour, S. 24 (Excerpts): Act II Entr'acte" by Daniel Auber, Moravian Philharmonic Orchestra, Dario Salvi was released on January 29, 2021. With Lestocq, ou l'intrigue et l'amour, S. 24 (Excerpts): Act II Entr'acte being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 13 in Auber: Overtures, Vol. 3 by Daniel Auber, Moravian Philharmonic Orchestra, Dario Salvi. In terms of popularity, Lestocq, ou l'intrigue et l'amour, S. 24 (Excerpts): Act II Entr'acte is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Lestocq, ou l'intrigue et l'amour, S. 24 (Excerpts): Act II Entr'acte by Daniel Auber, Moravian Philharmonic Orchestra, Dario Salvi is Moderato (at a moderate speed), since this song has a tempo of 110 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Puppenfee (The Fairy Doll): No. 18 Marsch | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 3 | 10B | 127 BPM | ||
Slavonic Dances, Series I., Op. 46, B. 83: VII. in C minor. Allegro assai | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
Der Fischer und das Milchmädchen: IXb. Andantino pastorale | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
The Mikado: Overture | New D'Oyly Carte Opera Orchestra | C Major | 2 | 8B | 85 BPM | ||
Firestorm Symphony: III. All the Trees Are Growing | Margaret Brandman, Moravian Philharmonic Orchestra, Petr Vronsky | A Major | 0 | 11B | 124 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Symphony No. 2 in E-Flat Major, Op. 63: III. Rondo (Presto) | Edward Elgar, Hallé, Sir Mark Elder | D Major | 1 | 10B | 134 BPM | ||
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo Yamada | E♭ Major | 1 | 5B | 84 BPM | ||
Symphony No. 2: I. Sostenuto - Allegro molto | Kurt Weill, Konzerthausorchester Berlin, Joana Mallwitz | F Minor | 2 | 4A | 169 BPM | ||
Shchedrin: Carmen Suite: VIII. Bolero (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | A Minor | 6 | 8A | 175 BPM |