Mariinsky Orchestra made "Act I: Scene. Entree Of Don Quixote & Sancho Panza (Minkus)" available on January 1, 2006. The duration of Act I: Scene. Entree Of Don Quixote & Sancho Panza (Minkus) is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Act I: Scene. Entree Of Don Quixote & Sancho Panza (Minkus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mariinsky Orchestra's "Minkus: Don Quixote, Victor Fedotov" album is number 15 out of 53. Based on our statistics, Act I: Scene. Entree Of Don Quixote & Sancho Panza (Minkus)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Act I: Scene. Entree Of Don Quixote & Sancho Panza (Minkus) by Mariinsky Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 122 テンポ, a half-time of 61テンポ, and a double-time of 244 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto, Act II: "Caro nome" (Arr. E. Kunzel & C. Beck) | Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 2 | 8B | 118 BPM | ||
Der Liebeszauber: Feuertanz | Manuel de Falla, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | E Major | 1 | 12B | 140 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Moderato: Women's variation | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | C Major | 0 | 8B | 111 BPM | ||
Le Corsaire: Pas de deux (arr. J. Lanchberry): III. Moderato: Women's Variation | Ludwig Minkus, Riccardo Drigo, John Lanchbery, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 101 BPM | ||
Venetianer-Galopp, Op. 74 | Johann Strauss I, Slovak Sinfonietta, Zilina, Ernst Märzendorfer | B Major | 3 | 1B | 159 BPM | ||
Act III: Variation 2 (Minkus) | Mariinsky Orchestra | C Major | 3 | 8B | 177 BPM | ||
Rund Um Die Liebe: Rund Um Die Liebe, Ouverture | Oscar Straus, Budapest Strauss Symphony Orchestra | A Major | 3 | 11B | 73 BPM | ||
Don Quixote: Prologue: Allegro | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Minor | 0 | 8A | 128 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: I. Allegro | Dmitri Shostakovich, Valéry Gergiev, Mariinsky Orchestra | A♭ Major | 3 | 4B | 128 BPM | ||
The Mikado: Overture | New D'Oyly Carte Opera Orchestra | C Major | 2 | 8B | 85 BPM |