Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel's 'Rigoletto, Act II: "Caro nome" (Arr. E. Kunzel & C. Beck)' came out on January 1, 1995. The duration of Rigoletto, Act II: "Caro nome" (Arr. E. Kunzel & C. Beck) is about 3 minutes long, at 3:06. Based on our data, "Rigoletto, Act II: "Caro nome" (Arr. E. Kunzel & C. Beck)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi Without Words by Giuseppe Verdi, Erich Kunzel, Cincinnati Pops Orchestra. The song's track number on the album is #15 out of 19 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Rigoletto, Act II: "Caro nome" (Arr. E. Kunzel & C. Beck) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto, Act II: "Caro nome" (Arr. E. Kunzel & C. Beck) by Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel has a tempo of 118 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Rigoletto, Act II: "Caro nome" (Arr. E. Kunzel & C. Beck) being at 118 テンポ, the half-time would be 59 テンポ with a double-time of 236 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra) | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 2 | 5B | 66 BPM | ||
Raymonda, Op. 57: Act III - Danse des enfants | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | A Major | 1 | 11B | 90 BPM | ||
The Planets, Op. 32, H. 125 (Excerpts): II. Venus, the Bringer of Peace [With Narration "High Flight"] | Gustav Holst, John Gillespie Magee, Jr., Kate Mulgrew, Cincinnati Pops Orchestra, John Morris Russell | E♭ Major | 0 | 5B | 58 BPM | ||
Der Fischer und das Milchmädchen: VIII. Andantino | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Tico Tico No Fubá | Cincinnati Pops Orchestra, Erich Kunzel | F Major | 5 | 7B | 123 BPM | ||
Sylvia: Act III: Apparition d'Endymion (Apotheose) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E Major | 1 | 12B | 66 BPM | ||
Der Fischer und das Milchmädchen: IXb. Andantino pastorale | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Symphony No. 3, Op. 56, "Scottish": II. Vivace non troppo | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Masques et Bergamasques, suite, Op.112: 2. Menuet | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 146 BPM | ||
25 Études faciles et progressives, Op. 100: No. 22, Barcarolle | Franz Burgmüller, The Gerst Ensemble | A♭ Major | 0 | 4B | 58 BPM |