Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky made "Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy)" available on October 6, 2004. The duration of Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Shostakovich: Ballet Suites Nos. 1-4". In this album, this song's track order is #13. In terms of popularity, Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Ballet Suite No. 3 (arr. L. Atovmyan): Waltz (The Human Comedy) by Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky having a テンポ of 98 with a half-time of 49 テンポ and a double-time of 196 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Puppenfee (The Fairy Doll): No. 8 Chinesin: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 92 BPM | ||
Petite Valse, Miniatures Op. 10 No. 2 (Gennari Karganoff (Korganov)) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Act I: Friends Of Kitri (Minkus) | Mariinsky Orchestra | D Major | 2 | 10B | 72 BPM | ||
Act II: Coda (Minkus) | Mariinsky Orchestra | D Major | 2 | 10B | 90 BPM | ||
Debussy: Children's Corner, L. 119: VI. Golliwog's cake-walk | Claude Debussy, André Cluytens, French National Radio Orchestra | E♭ Minor | 1 | 2A | 106 BPM | ||
Le Corsaire: Pas de Trois - Conrad Variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E♭ Major | 1 | 5B | 175 BPM | ||
Champagner Galopp | Hans Christian Lumbye, Wiener Salonorchester | A Major | 3 | 11B | 108 BPM | ||
Lohengrin, WWV 75, Act III: Prelude (Excerpt) | Richard Wagner, Russian State Symphony Orchestra, John McGlinn | G Major | 3 | 9B | 76 BPM | ||
Piano Concerto No.1 for piano, trumpet & strings, Op.35: 1. Allegretto | Dmitri Shostakovich, Ronald Brautigam, Peter Masseurs, Concertgebouworkest, Riccardo Chailly | A♭ Major | 2 | 4B | 144 BPM | ||
Pyat'dney-pyat' nochey (Five Days - Five Nights), Op. 111a: IV. Interlude | Lev Atovmyan, Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B♭ Major | 0 | 6B | 89 BPM |