Mariinsky Orchestra made "Act I: Sancho Panza & The Maidens (Minkus)" available on January 1, 2006. The duration of Act I: Sancho Panza & The Maidens (Minkus) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Act I: Sancho Panza & The Maidens (Minkus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Mariinsky Orchestra's "Minkus: Don Quixote, Victor Fedotov" album is number 16 out of 53. The popularity of Act I: Sancho Panza & The Maidens (Minkus) is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Act I: Sancho Panza & The Maidens (Minkus) by Mariinsky Orchestra to be Vivace (lively and fast) because the track has a tempo of 171 テンポ, a half-time of 86テンポ, and a double-time of 342 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fidelio, Op. 72: Act I: March | Ludwig van Beethoven, Reiner Goldberg, Bulgarian National Svetoslav Obretenov Choir, Budapest Symphony Orchestra, Sofia Philharmonic Orchestra, Staatskapelle Berlin, Tamas Pal, Siegfried Kurz, Georgi Robev | D♭ Major | 0 | 3B | 62 BPM | ||
Die Puppenfee (The Fairy Doll): No. 19 Galop | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 4 | 10B | 147 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25b. Pas de quatre: Variation I (Cinderella and Prince)(Waltz) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | C Major | 2 | 8B | 183 BPM | ||
Paulli: The Kermesse in Bruges or The Three Gifts (Excerpts): Pas de deux, (a) Duet between Carelis and Eleonore | Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | D Major | 0 | 10B | 81 BPM | ||
Dans les bois, Polka-mazurka, Op. 119 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 1 | 10B | 115 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17g, Allegro con spirito - Più animato | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 6 | 11B | 91 BPM | ||
Le Corsaire: Alt. Tempo: II - "7 Grand Pas: Coda" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | E♭ Major | 2 | 5B | 120 BPM | ||
Die Puppenfee (The Fairy Doll): No. 20 | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 1 | 10B | 154 BPM | ||
Ruslan and Lyudmila / Act 1: Overture | Mikhail Glinka, Mariinsky Orchestra, Valery Gergiev | D Major | 1 | 10B | 89 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 2, Dance du coq et des poules | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 4 | 10B | 164 BPM |