On June 7, 2004, the song "Die Puppenfee (The Fairy Doll): No. 19 Galop" was released by Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia. With Die Puppenfee (The Fairy Doll): No. 19 Galop being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 20 out of 35 in Bayer: Fairy Doll (The) (Complete Ballet) by Josef Bayer. Based on our statistics, Die Puppenfee (The Fairy Doll): No. 19 Galop's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Die Puppenfee (The Fairy Doll): No. 19 Galop by Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia is Allegro (fast, quick, and bright), since this song has a tempo of 147 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paquita: Coda: Allegro moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 201 BPM | ||
Act II: 1st Gypsy Dance (Minkus) | Mariinsky Orchestra | A Minor | 5 | 8A | 76 BPM | ||
The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Moderato: Men's Variation | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 95 BPM | ||
Des Matrosen Heimkehr: Tanz der Schiffsjungen | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | D Major | 2 | 10B | 168 BPM | ||
La fille mal gardée / Act 2: 27. Thomas, Alain And The Notaries | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | A Major | 1 | 11B | 130 BPM | ||
Georgia: Tavisupleba (Liberty), "My icon is my motherland…" [2004 onwards] | Zakharia Paliashvili, Slovak Radio Symphony Orchestra, Peter Breiner | B♭ Major | 4 | 6B | 90 BPM | ||
The Sleeping Beauty, Op. 66 : Prologue, No.3 Pas de six, Variation III. Miettes qui tombent (Fairy of the Woodland Glade) | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | D Major | 0 | 10B | 66 BPM | ||
Schwanensee, Op. 20: Act III: Andantino: Men's Variation | Pyotr Ilyich Tchaikovsky, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 125 BPM | ||
Postillon Galop, Op. 16/2 | Hans Christian Lumbye, Andris Nelsons, Wiener Philharmoniker | E♭ Major | 4 | 5B | 164 BPM |