On January 17, 2020, the song "Postillon Galop, Op. 16/2" was released by Hans Christian Lumbye, Andris Nelsons, Wiener Philharmoniker. The duration of Postillon Galop, Op. 16/2 is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Postillon Galop, Op. 16/2's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Neujahrskonzert 2020 / New Year's Concert 2020 / Concert du Nouvel An 2020". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. The popularity of Postillon Galop, Op. 16/2 is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Postillon Galop, Op. 16/2 by Hans Christian Lumbye, Andris Nelsons, Wiener Philharmoniker having a テンポ of 164 with a half-time of 82 テンポ and a double-time of 328 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Friedenspalmen, Walzer, Op. 207 | Josef Strauss, Daniel Barenboim, Wiener Philharmoniker | B♭ Major | 1 | 6B | 105 BPM | ||
Carolinen-Galopp, Op. 21a | Johann Strauss I, Daniel Barenboim, Wiener Philharmoniker | B♭ Major | 2 | 6B | 151 BPM | ||
Die Libelle, Op. 204 | Josef Strauss, Carlos Kleiber, Wiener Philharmoniker | G Major | 1 | 9B | 85 BPM | ||
Nabucco: Overture | Giuseppe Verdi, Hungarian State Opera Orchestra, Pier Giorgio Morandi | E Minor | 0 | 9A | 133 BPM | ||
Le carnaval des animaux, R. 125: IX. Le coucou au fond des bois - X. Volière - XI. Pianistes | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | B♭ Minor | 1 | 3A | 114 BPM | ||
Bruckner: Symphony No. 7 in E Major, WAB 107: III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Nikolaus Harnoncourt, Wiener Philharmoniker | F Major | 0 | 7B | 134 BPM | ||
Adam & Drigo: Le Corsaire: Pas-de-deux - No. 3, Variation 2 (Allegro) | Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | F Major | 1 | 7B | 104 BPM | ||
Le barbier de Séville Largo al factotum - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | C Major | 4 | 8B | 77 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII - Andante cantabile | Sergei Rachmaninoff, Daniel Harding, Wiener Philharmoniker, Igor Levit | D♭ Major | 1 | 3B | 183 BPM | ||
Sinfonietta on Russian Themes, Op. 31: III. Scherzo - Finale | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 0 | 9B | 110 BPM |