"Le carnaval des animaux, R. 125: IX. Le coucou au fond des bois - X. Volière - XI. Pianistes" by Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm was released on January 1, 2009. With this song being about 5 minutes long, at 4:37, "Le carnaval des animaux, R. 125: IX. Le coucou au fond des bois - X. Volière - XI. Pianistes" by Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Saint-Saens: Carnival of the Animals". In this album, this song's track order is #4. In terms of popularity, Le carnaval des animaux, R. 125: IX. Le coucou au fond des bois - X. Volière - XI. Pianistes is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Le carnaval des animaux, R. 125: IX. Le coucou au fond des bois - X. Volière - XI. Pianistes by Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm having a テンポ of 114 with a half-time of 57 テンポ and a double-time of 228 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Helenen-Quadrille, Op. 14 | Eduard Strauss, Daniel Barenboim, Wiener Philharmoniker | F Major | 2 | 7B | 88 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Klipp-Klapp, Galopp, Op. 466 | Johann Strauss II, Daniel Barenboim, Wiener Philharmoniker | F Major | 4 | 7B | 174 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo | Jean Sibelius, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 98 BPM | ||
Borodin - String Quartet No.2 in D major: Scherzo: Allegro | Alexander Borodin, Borodin Quartet | C Major | 2 | 8B | 121 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | C Major | 3 | 8B | 82 BPM | ||
Symphony No. 1 in G Minor: III. Scherzo: Allegro non troppo - moderato assai | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | A Minor | 2 | 8A | 110 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 2. Adagio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | C Major | 1 | 8B | 80 BPM |