"Mass in D Major, Op. 123 "Missa Solemnis": Gloria: Gloria in excelsis Deo" by Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein was released on January 1, 1996. With this song being about 5 minutes long, at 4:51, "Mass in D Major, Op. 123 "Missa Solemnis": Gloria: Gloria in excelsis Deo" by Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 21 in Beethoven: Missa Solemnis, Op. 123 by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Mass in D Major, Op. 123 "Missa Solemnis": Gloria: Gloria in excelsis Deo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in D Major, Op. 123 "Missa Solemnis": Gloria: Gloria in excelsis Deo by Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein is Adagio (slowly with great expression), since this song has a tempo of 71 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Schöpfung, Hob. XXI:2 / Erster Teil: 8. Arie: "Nun beut die Flur das frische Grün" | Franz Joseph Haydn, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 101 BPM | ||
Orchestervorspiel | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | A Major | 2 | 11B | 119 BPM | ||
Mozart: Requiem in D Minor, K. 626: XI. Sanctus | Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker | D Major | 3 | 10B | 77 BPM | ||
Le nozze di Figaro, K. 492 / Act 1: "Porgi amor" | Wolfgang Amadeus Mozart, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | E♭ Major | 0 | 5B | 99 BPM | ||
Symphony No. 1 In D, Op. 25 "Classical Symphony": 3. Gavotta (Non troppo allegro) | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Concerto In G Minor R439 Op.10 No.2 "La Notte": 2. Largo - Presto | Antonio Vivaldi, Andreas Blau, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 148 BPM | ||
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 88 BPM | ||
Fidelio, Op. 72: Overture | Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay | E Major | 1 | 12B | 62 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act III: Scene and Aria. "I zdyes mnye skuchno!" - "Knyaginya Gremina! Smotrite!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Thomas Allen, Paata Burchuladze, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Tannhäuser / Act III: Wie Todesahnung... O du mein holder Abendstern (Wolfram) | Richard Wagner, Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann | G Major | 6 | 9B | 151 BPM |