Richard Wagner, Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann made "Tannhäuser / Act III: Wie Todesahnung... O du mein holder Abendstern (Wolfram)" available on January 1, 2002. With this song being about 5 minutes long, at 5:29, "Tannhäuser / Act III: Wie Todesahnung... O du mein holder Abendstern (Wolfram)" by Richard Wagner, Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 10 in Evening Star: German Opera Arias by Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Tannhäuser / Act III: Wie Todesahnung... O du mein holder Abendstern (Wolfram)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Tannhäuser / Act III: Wie Todesahnung... O du mein holder Abendstern (Wolfram) by Richard Wagner, Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann is Allegro (fast, quick, and bright), since this song has a tempo of 151 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Das Lied von der Erde: III. Von der Jugend | Gustav Mahler, Otto Klemperer, Fritz Wunderlich, Christa Ludwig, Philharmonia Orchestra, New Philharmonia Orchestra | B♭ Major | 2 | 6B | 72 BPM | ||
Die Fledermaus: Act III: Spiel' ich die Unschuld vom Lande (Adele, Ida, Frank) | Johann Strauss II, Chen Reiss, Sabine Kallhammer, Sebastian Holecek, Cologne West German Radio Orchestra, Friedrich Haider | G Major | 1 | 9B | 137 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" | Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | A♭ Major | 5 | 4B | 132 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Das Lied von der Erde: Der Einsame im Herbst | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | B♭ Major | 0 | 6B | 134 BPM | ||
Puccini: Tosca, Act 2: "Vissi d'arte" (Tosca) | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Auch kleine Dinge können uns entzücken | Hugo Wolf, Mojca Erdmann | A Major | 0 | 11B | 68 BPM | ||
Le nozze di Figaro, K. 492 / Act 3: "Dove sono i bei momenti" | Wolfgang Amadeus Mozart, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | C Major | 1 | 8B | 126 BPM | ||
Die Walküre, WWV 86B / Erster Akt: "Wes Herd dies auch sei, hier muss ich rasten" | Richard Wagner, Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 88 BPM |