"Le nozze di Figaro, K. 492 / Act 1: "Porgi amor"" by Wolfgang Amadeus Mozart, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm was released on January 1, 1968. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Orchester der Deutschen Oper Berlin, Karl Böhm's "Mozart: Le nozze di Figaro" album is number 22 out of 78. In terms of popularity, Le nozze di Figaro, K. 492 / Act 1: "Porgi amor" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le nozze di Figaro, K. 492 / Act 1: "Porgi amor" by Wolfgang Amadeus Mozart, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act III: "Morgenlich leuchtend" | Richard Wagner, Plácido Domingo, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 2 | 8B | 135 BPM | ||
La Bohème / Act 3: "Donde lieta uscì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 119 BPM | ||
La Cenerentola / Act 1: Una volta c'era...Una soave non so che | Gioachino Rossini, Cecilia Bartoli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
Requiem In D Minor, K. 626: Sequence: IV. Recordare, Jesu Pie | Slovak Philharmonic, Vladimir Ruso, Jaroslava Horska, Slovak Philharmonic Chorus, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Wolfgang Amadeus Mozart | F Major | 1 | 7B | 159 BPM | ||
Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!" | Richard Wagner, Birgit Nilsson, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Otto Gerdes | E♭ Major | 3 | 5B | 86 BPM | ||
Requiem In D Minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann): Recordare (Sequenz) - Live | Wolfgang Amadeus Mozart, Marie McLaughlin, Maria Ewing, Jerry Hadley, Cornelius Hauptmann, Bavarian Radio Symphony Orchestra, Leonard Bernstein | C Major | 2 | 8B | 120 BPM | ||
Le nozze di Figaro, K. 492 / Act 3: E Susanna non vien!...Dove sono | Wolfgang Amadeus Mozart, Jessye Norman, BBC Symphony Orchestra, Sir Colin Davis | E♭ Major | 2 | 5B | 109 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Orfeo: Che puro ciel! | Christoph Willibald Gluck, Bernarda Fink, René Jacobs, Freiburger Barockorchester | G Major | 0 | 9B | 139 BPM | ||
Wesendonck Lieder: Träume | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | A♭ Major | 1 | 4B | 72 BPM |