Wolfgang Amadeus Mozart, Jessye Norman, BBC Symphony Orchestra, Sir Colin Davis's 'Le nozze di Figaro, K. 492 / Act 3: E Susanna non vien!...Dove sono' came out on January 1, 1971. Le nozze di Figaro, K. 492 / Act 3: E Susanna non vien!...Dove sono is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Ingvar Wixell, Jessye Norman, Wladimiro Ganzarolli, Mirella Freni, Sir Colin Davis's "Mozart: Le Nozze di Figaro (Complete Mozart Edition)" album is number 11 out of 44. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Le nozze di Figaro, K. 492 / Act 3: E Susanna non vien!...Dove sono is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le nozze di Figaro, K. 492 / Act 3: E Susanna non vien!...Dove sono by Wolfgang Amadeus Mozart, Jessye Norman, BBC Symphony Orchestra, Sir Colin Davis to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Falstaff, Act I Scene 2: "Alice. Meg. Nannetta" | Giuseppe Verdi, Ana Ibarra, London Symphony Orchestra, Sir Colin Davis | C Major | 1 | 8B | 174 BPM | ||
Der Tod und das Mädchen, D. 531 (Op.7/3) | Franz Schubert, Jessye Norman, Phillip Moll | B♭ Major | 0 | 6B | 108 BPM | ||
Così fan tutte, K. 588 / Act I: "Smanie implacabili" | Wolfgang Amadeus Mozart, Angela Brower, Chamber Orchestra of Europe, Yannick Nézet-Séguin | D Major | 1 | 10B | 100 BPM | ||
Wagner: Tannhäuser, Act III: Elisabeth's Prayer. "Allmächt'ge Jungfrau, hör mein Flehen!" (Elisabeth) [Dresden Version] | Richard Wagner, Jessye Norman, Klaus Tennstedt, London Philharmonic Orchestra | D♭ Major | 1 | 3B | 131 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 1: Cavatina - Porgi Amor | Donato Di Stefano, Ingrid Kertesi, Patrizia Pace, Maria Pia Ionata, Jozsef Mukk, Hungarian State Opera Orchestra, Roberto Frontali, Natale de Carolis, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | E♭ Major | 0 | 5B | 109 BPM | ||
Tosca / Act 2: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Carol Vaness, Philadelphia Orchestra, Riccardo Muti | E♭ Major | 1 | 5B | 87 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 5: Sestetto - Riconosci In Questo Amplesso | Donato Di Stefano, Hungarian State Opera Orchestra, Patrizia Pace, Jozsef Mukk, Maria Pia Ionata, Ingrid Kertesi, Natale de Carolis, Roberto Frontali, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | C Major | 2 | 8B | 86 BPM | ||
La vie antérieure | Henri Duparc, Jessye Norman, Dalton Baldwin | E♭ Major | 1 | 5B | 99 BPM | ||
Wagner: Der fliegende Holländer, Act II: Ballade. "Johohoe! Traft ihr das Schiff im Meere an" (Senta, Die Mädchen) | Richard Wagner, Jessye Norman, Ambrosian Opera Chorus, Klaus Tennstedt, London Philharmonic Orchestra | D♭ Major | 1 | 3B | 131 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM |