"Die Schöpfung, Hob. XXI:2 / Erster Teil: 8. Arie: "Nun beut die Flur das frische Grün"" by Franz Joseph Haydn, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1969. Die Schöpfung, Hob. XXI:2 / Erster Teil: 8. Arie: "Nun beut die Flur das frische Grün" is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan's "Haydn: Die Schöpfung" album is number 9 out of 33. In terms of popularity, Die Schöpfung, Hob. XXI:2 / Erster Teil: 8. Arie: "Nun beut die Flur das frische Grün" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Schöpfung, Hob. XXI:2 / Erster Teil: 8. Arie: "Nun beut die Flur das frische Grün" by Franz Joseph Haydn, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, Op. 58: V. Tui nati vulnerati (Andante con moto, quasi allegretto) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic | E♭ Major | 0 | 5B | 81 BPM | ||
Agnus Dei-adagio | Matthews, Arnold, American Bach Soloists, Munoz, Butterfield, Jeffrey Thomas | B♭ Major | 1 | 6B | 138 BPM | ||
Stabat Mater: Cujus animam gementem | Gioachino Rossini, Lawrence Brownlee, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Minor | 0 | 7A | 106 BPM | ||
Missa Sanctae Ursulae, MH 546: Kyrie (Soprano, Contralto, Tenor, Bass, Chorus) | Michael Haydn, Juliane Banse, Mechthild Bach, Gabriele Binder, Karl-Heinz Lampe, Joachim Gebhard, Munich Motet Choir, Munich Residence Orchestra, Hans Rudolf Zöbeley | C Major | 1 | 8B | 100 BPM | ||
Die Schöpfung, Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: "Singt dem Herren alle Stimmen" | Franz Joseph Haydn, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Dietrich Fischer-Dieskau, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | B♭ Major | 4 | 6B | 104 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": II. Andante con moto | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
Mass No. 2 in G Major, D. 167: V. Benedictus | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
Una Povera Ragazza | Niccolò Piccinni, Gianluigi Gelmetti | F Major | 1 | 7B | 132 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 3) Servant Girls' Chorus. "Dyevitsi, krasavitsi" | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Schubert: Mass in G Major, D. 167: Kyrie | Franz Schubert, Lucia Popp, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra | E Minor | 0 | 9A | 124 BPM |