Die Schöpfung, Hob. XXI:2 / Erster Teil: 8. Arie: "Nun beut die Flur das frische Grün"

Franz Joseph Haydn, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan
Haydn: Die Schöpfung
5:34 1969年1月1日
テンポ
101
キー
B♭ Major
キャメロットミュージックキー
6B

リンクを埋め込む

共有

Die Schöpfung, Hob. XXI:2 / Erster Teil: 8. Arie: "Nun beut die Flur das frische Grün" - Franz Joseph Haydn, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan 情報

音響性
98%
ダンサビリティ
28%
エネルギー
9%
手段性
0%
活気
13%
ラウドネス
65%
話し言葉
5%
価数
8%
人気
ラウドネス
-20.712 dB

まとめ

"Die Schöpfung, Hob. XXI:2 / Erster Teil: 8. Arie: "Nun beut die Flur das frische Grün"" by Franz Joseph Haydn, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1969. Die Schöpfung, Hob. XXI:2 / Erster Teil: 8. Arie: "Nun beut die Flur das frische Grün" is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan's "Haydn: Die Schöpfung" album is number 9 out of 33. In terms of popularity, Die Schöpfung, Hob. XXI:2 / Erster Teil: 8. Arie: "Nun beut die Flur das frische Grün" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Die Schöpfung, Hob. XXI:2 / Erster Teil: 8. Arie: "Nun beut die Flur das frische Grün" テンポ

We consider the tempo marking of Die Schöpfung, Hob. XXI:2 / Erster Teil: 8. Arie: "Nun beut die Flur das frische Grün" by Franz Joseph Haydn, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Die Schöpfung, Hob. XXI:2 / Erster Teil: 8. Arie: "Nun beut die Flur das frische Grün" キー

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Stabat Mater, Op. 58: V. Tui nati vulnerati (Andante con moto, quasi allegretto) by Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish PhilharmonicStabat Mater, Op. 58: V. Tui nati vulnerati (Andante con moto, quasi allegretto)Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish PhilharmonicE♭ Major05B81 BPM
Agnus Dei-adagio by Matthews, Arnold, American Bach Soloists, Munoz, Butterfield, Jeffrey ThomasAgnus Dei-adagioMatthews, Arnold, American Bach Soloists, Munoz, Butterfield, Jeffrey ThomasB♭ Major16B138 BPM
Stabat Mater: Cujus animam gementem by Gioachino Rossini, Lawrence Brownlee, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa CeciliaStabat Mater: Cujus animam gementemGioachino Rossini, Lawrence Brownlee, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa CeciliaD Minor07A106 BPM
Missa Sanctae Ursulae, MH 546: Kyrie (Soprano, Contralto, Tenor, Bass, Chorus) by Michael Haydn, Juliane Banse, Mechthild Bach, Gabriele Binder, Karl-Heinz Lampe, Joachim Gebhard, Munich Motet Choir, Munich Residence Orchestra, Hans Rudolf ZöbeleyMissa Sanctae Ursulae, MH 546: Kyrie (Soprano, Contralto, Tenor, Bass, Chorus)Michael Haydn, Juliane Banse, Mechthild Bach, Gabriele Binder, Karl-Heinz Lampe, Joachim Gebhard, Munich Motet Choir, Munich Residence Orchestra, Hans Rudolf ZöbeleyC Major18B100 BPM
Die Schöpfung, Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: Die Schöpfung, Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: "Singt dem Herren alle Stimmen"Franz Joseph Haydn, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Dietrich Fischer-Dieskau, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener SingvereinB♭ Major46B104 BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16 - Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": II. Andante con motoFelix Mendelssohn, Berliner Philharmoniker, Herbert von KarajanA Minor28A95 BPM
Mass No. 2 in G Major, D. 167: V. Benedictus by Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes PrinzMass No. 2 in G Major, D. 167: V. BenedictusFranz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes PrinzG Major19B131 BPM
Una Povera Ragazza by Niccolò Piccinni, Gianluigi GelmettiUna Povera RagazzaNiccolò Piccinni, Gianluigi GelmettiF Major17B132 BPM
Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 3) Servant Girls' Chorus. Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 3) Servant Girls' Chorus. "Dyevitsi, krasavitsi"Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine, MDR Leipzig Radio ChorusE Minor29A78 BPM
Schubert: Mass in G Major, D. 167: Kyrie by Franz Schubert, Lucia Popp, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony OrchestraSchubert: Mass in G Major, D. 167: KyrieFranz Schubert, Lucia Popp, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony OrchestraE Minor09A124 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records