Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan's 'Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": II. Andante con moto' came out on January 1, 1990. Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": II. Andante con moto is about six minutes long, preciously at 6:25, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan's "Mendelssohn: 5 Symphonies" album is number 6 out of 28. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": II. Andante con moto is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": II. Andante con moto by Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In D For String Orchestra: 1. Vivace | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 145 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 2. Romanze (Ziemlich langsam) | Robert Schumann, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Symphony No. 3 in A Minor, Op. 56 "Scottish": Symphony No. 3 in A Minor, Op. 56 "Scottish": II. Vivace non troppo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | F Major | 2 | 7B | 135 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: 3. Marziale un poco meno allegro | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 123 BPM | ||
Piano Trio No. 1 in D minor, Op. 49: Molto allegro agitato | Felix Mendelssohn, Leonidas Kavakos | D Minor | 2 | 7A | 148 BPM | ||
Symphony No. 4 In E Minor, Op. 98: 3. Allegro giocoso - Poco meno presto - Tempo I | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Minor | 2 | 5A | 127 BPM | ||
Concerto for Violin and Orchestra no.2 in D minor op.22: 3. Allegro con fuoco-Allegro moderato (à la Zingara) | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | D Major | 2 | 10B | 96 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: Die Himmel erzählen die Ehre Gottes | Franz Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | C Major | 3 | 8B | 97 BPM | ||
Bach - Prelude and Fugue in D Major, P. 158 (after J.S. Bach's BWV 532): Prelude: Allegro - Meno mosso - Alla breve [Allegro] - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 143 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Glorification of the Chosen One | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 4 | 6B | 134 BPM |