Giovanni Gabrieli, Canadian Brass's 'Canzone prima a 5 - 1.' came out on January 1, 1991. The duration of Canzone prima a 5 - 1. is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Canzone prima a 5 - 1.'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "The Essential Canadian Brass". In this album, this song's track order is #5. In terms of popularity, Canzone prima a 5 - 1. is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Canzone prima a 5 - 1. by Giovanni Gabrieli, Canadian Brass having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
De tous biens plaine I | Alexander Agricola, The Royal Wind Music | C Major | 1 | 8B | 179 BPM | ||
Mass for Double Choir: Kyrie | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 81 BPM | ||
Vespro della beata Vergine (1610): Concerto - Duo Seraphim | Claudio Monteverdi, Andrew Parrott, The Taverner Consort, Choir & Players | G Minor | 2 | 6A | 82 BPM | ||
Requiem: Introitus | Johannes Ockeghem, Musica Ficta, Bo Holten | G Major | 1 | 9B | 108 BPM | ||
The Silver Swan | Orlando Gibbons, Apollo5 | C Major | 1 | 8B | 79 BPM | ||
St. John Passion, BWV 245 / Part One: Chorus: "Jesu, deine Passion" | Johann Sebastian Bach, The Hilliard Ensemble | A♭ Major | 1 | 4B | 81 BPM | ||
Canzona per Sonare No. 27 | Giovanni Gabrieli, The Philadelphia Brass Ensemble, The Cleveland Brass Ensemble, Richard Burgin | G Minor | 1 | 6A | 137 BPM | ||
Canzoni et sonate (arr. E. Crees for brass): Canzon VII | Giovanni Gabrieli, Eric Crees, London Symphony Brass | G Major | 0 | 9B | 87 BPM | ||
Se la face ay pale | Guillaume Dufay, Cut Circle, Jesse Rodin | B♭ Major | 1 | 6B | 103 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 171 BPM |