Giovanni Gabrieli, The Philadelphia Brass Ensemble, The Cleveland Brass Ensemble, Richard Burgin's 'Canzona per Sonare No. 27' came out on 1960. The duration of Canzona per Sonare No. 27 is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Canzona per Sonare No. 27's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "The Antiphonal Music of Gabrieli". In this album, this song's track order is #5. Based on our statistics, Canzona per Sonare No. 27's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Canzona per Sonare No. 27 by Giovanni Gabrieli, The Philadelphia Brass Ensemble, The Cleveland Brass Ensemble, Richard Burgin having a テンポ of 137 with a half-time of 68 テンポ and a double-time of 274 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite from Taffel-Consort: Volta | Thomas Simpson, Boreas Quartett Bremen | A♭ Major | 1 | 4B | 75 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | ||
Wash me throughly | Samuel Sebastian Wesley, Emilia Hughes, James McVinnie, Choir of Clare College, Cambridge, Christopher Robinson | G Minor | 1 | 6A | 138 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Purcell: Funeral Sentences for the Death of Queen Mary, Z. 27: VI. "Thou Knowest Lord" | Henry Purcell, Alison Balsom, Balsom Ensemble | A Major | 1 | 11B | 132 BPM | ||
Suite: V. Intrada No. 2 | Thomas Simpson, The Prague Brass Soloists | C Major | 1 | 8B | 85 BPM | ||
Le Triomphe de l'Harmonie: Nous jouissons de nos asiles… (Chœur de nymphes) | François-Lupien Grenet, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D♭ Minor | 1 | 12A | 134 BPM | ||
Matthaus-Passion, SWV 479: Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM | ||
All'Arm' all'Arme | The Royal Wind Music | A♭ Major | 1 | 4B | 124 BPM | ||
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM |