"Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus" by Louis Vierne, Michel Bouvard was released on October 1, 1996. The duration of Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vierne: Messe solennelle pour deux orgues et choeur - Widor: 10ème symphonie "Romane" (Orgue A. Cavaillé-Coll Toulouse) by Michel Bouvard, Ensemble Les Eléments, Joël Suhubiette. The song's track number on the album is #3 out of 13 tracks. Based on our data, France was the country where this track was produced or recorded. Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus by Louis Vierne, Michel Bouvard has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus being at 69 テンポ, the half-time would be 34 テンポ with a double-time of 138 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 3, Lullaby | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | C Major | 1 | 8B | 111 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Messe solennelle, Op. 16: IV. Benedictus | Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs | D♭ Minor | 0 | 12A | 68 BPM | ||
Final, Op. 21 | César Franck, Michel Bouvard | F♯ Major | 0 | 2B | 68 BPM | ||
Psalm 130: Ich Harre auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | B♭ Major | 1 | 6B | 92 BPM | ||
Ave Generosa | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Messe en mi mineur: Messe en mi mineur: Sanctus. Ruhig; mehr langsam | Anton Bruckner, Collegium Vocale Gent, La Chapelle Royale, Ensemble Musique Oblique, Philippe Herreweghe | E Minor | 1 | 9A | 101 BPM | ||
Messe en mi mineur: Messe en mi mineur: Credo. Allegro moderato | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, Ensemble Musique Oblique | C Major | 0 | 8B | 121 BPM | ||
O sacrum convivium! | Olivier Messiaen, Choir of St. John's College, Cambridge, George Guest | E♭ Minor | 1 | 2A | 79 BPM |