Niccolò Paganini, Itzhak Perlman made "Paganini: 24 Caprices, Op. 1: No. 11 in C Major" available on February 1, 2000. The duration of Paganini: 24 Caprices, Op. 1: No. 11 in C Major is about 3 minutes long, at 3:27. Based on our data, "Paganini: 24 Caprices, Op. 1: No. 11 in C Major" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Paganini: 24 Caprices". In this album, this song's track order is #11. Paganini: 24 Caprices, Op. 1: No. 11 in C Major is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Paganini: 24 Caprices, Op. 1: No. 11 in C Major by Niccolò Paganini, Itzhak Perlman having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Concerto for Violin & Orchestra, Op. 14: III. Presto in moto perpetuo | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 5 | 8A | 97 BPM | ||
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione IV: Andante grazioso | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 66 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Minor | 0 | 5A | 83 BPM | ||
Debussy: Cello Sonata in D Minor, CD 144, L. 135: III. Final. Animé, léger et nerveux | Claude Debussy, Yvan Chiffoleau, Jean Hubeau | F♯ Major | 0 | 2B | 113 BPM | ||
Ponce / Arr Heifetz: Estrellita | Manuel Ponce, Itzhak Perlman | F♯ Major | 1 | 2B | 103 BPM | ||
Suite for Cello and Orchestra, Op. 16: III. Gavotte (allegro non troppo) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Major | 0 | 10B | 83 BPM | ||
Sonata For Violin And Piano No. 7 In C Minor, Op. 30 No. 2: 4. Finale (Allegro) | Ludwig van Beethoven, Itzhak Perlman, Vladimir Ashkenazy | C Minor | 2 | 5A | 125 BPM | ||
Violin Sonata (Sonatina) in A Minor, Op. 137, No. 2, D. 385: I. Allegro moderato | Franz Schubert, Pascal Devoyon, Dong-Suk Kang | B♭ Major | 1 | 6B | 114 BPM |