"Debussy: Cello Sonata in D Minor, CD 144, L. 135: III. Final. Animé, léger et nerveux" by Claude Debussy, Yvan Chiffoleau, Jean Hubeau was released on January 26, 2024. The duration of Debussy: Cello Sonata in D Minor, CD 144, L. 135: III. Final. Animé, léger et nerveux is about 3 minutes long, at 3:28. Based on our data, "Debussy: Cello Sonata in D Minor, CD 144, L. 135: III. Final. Animé, léger et nerveux" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 10 out of 47 in Debussy: Clair de lune and Other Masterpieces by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Debussy: Cello Sonata in D Minor, CD 144, L. 135: III. Final. Animé, léger et nerveux is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Debussy: Cello Sonata in D Minor, CD 144, L. 135: III. Final. Animé, léger et nerveux by Claude Debussy, Yvan Chiffoleau, Jean Hubeau is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | A♭ Major | 1 | 4B | 122 BPM | ||
Keyboard Suite No. 5 in E Major, HWV 430: IV. Air and Doubles ("Harmonious Blacksmith") | George Frideric Handel, Philip Edward Fisher | E Major | 1 | 12B | 126 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Four Excursions, Op. 20: No. 3. Allegretto | Samuel Barber, André Previn | G Major | 5 | 9B | 91 BPM | ||
Hommage à Haydn, L. 115 | Claude Debussy, Zoltán Kocsis | G Major | 0 | 9B | 83 BPM | ||
Symphonie espagnole, Op. 21: V. Rondo | Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra | D Major | 2 | 10B | 109 BPM | ||
Nocturne No. 9 In B, Op. 32 No. 1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 80 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM |